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Monday, August 7, 2017

LOVE IS NEVER SINGULAR NOR IS LIFE


 
"There can be a real meeting 
between two people 
at the point where they 
always felt marooned. 
Right at the edge.” 
- Sam Shepard

Love and life are so difficult to define.  

Both are never singular.  There must be two.

Love is utterly singular to each person in each relationship at each moment in time.

 We each love different loves, 

constantly navigating and negotiating the infinite continuum of meaning 

with which we view each lover through eyes that may not even see us as we are. 

Sam Shepard's letters to his life-long friend, Johnny Dark


 explored love as a union of two sovereign alonenesses 

and a mutual awakening to dormant parts of each self.

 Both men belonged to “The Work”

a movement of gatherings based on the spiritual teachings of George Ivanovich Gurdjieff, 

whose philosophy was rooted in the idea that 

although our default state is a sort of waking sleep, we are capable of waking up. 

In 1982, Shepard met the actress Jessica Lange on the set of the film Frances, in which he had a supporting role. 

Lange earned an Academy Award nomination and won Shepard’s heart. 

The two entered into an immediate and intense romance 

that effected, as Shepard wrote to Dark, mutual awakening.

What do you think?

Do we mostly live in a waking sleep
 from which only love can awaken us?

or

Can our dreams awaken us even more?


Thursday, August 3, 2017

REUNION OF ENEMIES Reunion WEP post




Denise wrote that early posts would be appreciated so I decided to oblige!

Besides, I have missed the world of the Caretaker whom we last saw in the HERO LOST anthology.

 


So without further ado, 
let us re-enter the House Eternal

{1100 words}




The House Eternal. 

The truth of its birth whispers from the dark unknown.  I am its Caretaker. My beginnings burn under the starlight of dim memories.  My end is unknown yet certain in its ugliness.  I hasten it by meddling where saner souls would wisely pass.


Above the oak front door, the spider web, spun from the sobs of children, trembled in anticipation.  Arachne studied me from its glistening center.  Human/not human, she smiled with green lips still wet from adorning her silken snare with venom.

“Athena wronged you, but taking it out on innocents is misplaced vengeance.”

Arachne’s words were flutters of papyrus, “Dry and dead is the wind that last tasted innocence.”

Mouse, riding in my chest pocket, wrinkled his whiskers like angry broom straws. “All things truly wicked started out innocent.”

Mouse.  He owed his freedom to Napoleon’s soldiers.  The gust of bacterial air which breathed from the First Dynasty tomb they ransacked gave them the freedom of death.

Was Mouse a ghost rodent or had the bacteria-infested air of the tomb changed him somehow?  


Arachne’s laughter was more sleet than sound.  “The world must have been born innocent indeed.”

I said. “It takes a very long time to become young.”

The front door, Artemis’s gift to me, throbbed with tears of dawn.  I snorted.  Athena was much too Olympian to merely knock. 

I smiled.  Artemis’ tongue might be as sharp as her arrows, but her word was as sure as her aim.  Artemis usually beat me at chess.  But last night, I could not allow her to win, for I fought for another. And so, she had brought Athena to me.


A man-shaped shadow appeared.  Once he had been a solid man … before he doubted.  He flowed to my side.

“I thought I had a death wish, Einherjar.”

“Thomas,” I said.  “all in the House Eternal are my charges.  I will see to them or die.”

Mouse chirped, “I vote for a greater margin of error.”

I patted his head.  “I give you leave to flee to the shadows, little friend.”

Mouse’s eyes deepened.  “You may not remember the time you first fed me. Or the time you first scooped me up into the safety of your shirt pocket. Or the time you waited at the crossroads for me to catch up. But I do, and the end of your skein of days shall be mine.”



Thomas rumbled, “So say I.”

I frowned, and Thomas shrugged, “I said I had a death wish, did I not?”

Arachne murmured, “I am not worth the fate Athena will grant thee.”

I could almost see the beautiful woman she once had been in her many-eyed face. “I am your friend.”

“And if I do not wish thy friendship?”

“I will try to be discreet.”

This time her laughter was more summer rain than sleet but still it was chill. The door was hot sunset now.  I must time this just right.  As Caretaker, I was pledged to greet visitors for Grande Dame



Was She Avatar of the House Eternal or merely its first resident?  Most of the House was complete, She tells me, when the first stars began to coalesce into the Light that caressed the awakening planet. 

It could be.  I was not there.  I am old,  just not that old.

She was not alive as one thinks of life.  Nor was She eternally dead.  Life, Death – they were but trifles to Her as She insisted on having Her way with each new-born day.

Grande Dame also insisted upon respect from those who came calling. Athena refusing to knock would not be appreciated. I had a moment more that I could safely wait to respond.

Tragic Athena. She could have easily forgiven Arachne’s pride, if it had not also mortified her own.  Olympians find it easier to forgive mortals when they are wrong than when they are right.

Another heartbeat more, and I would have to answer.  And my gambit would die still-born. 



After centuries of dealing with those who wander eternity, I should have remembered that they are long on hate but short on patience.  The oak door simply vanished.  No flash of lightning, no thunder.  True power is like that.

The dying twilight revealed eyes filled with razors.  Athena.  Imagining her museum statues and carvings?  They are not even in the same dimension with the terrible majesty looming in the doorway.  Artemis stood bored beside her. No hunt that did not smear her arrows with the blood of prey interested her.


I wondered if she would mourn me.

“I have to ….” I started.

“Die,” Athena murmured, suddenly right before me.

I shook my head.  “You entered unbidden and thus must abide by the House Rules.  I was going to warn you.”

Athena spun to Artemis.  “You tricked me!”

Moonlight caressed the Huntress’s long hair in glints of cold fire.  “Nay.  I but mentioned Arachne’s fine weaving of old.  It was you who wondered where she might be these long centuries later.”


Shoulders the white of mountain peaks shrugged.  “You asked.  I answered.  It was your idea to come, laughing about a fine reunion of enemies.”

Athena turned to me.  “These House Rules?”

“Are many … one is that those who enter unbidden must leave behind them whatever the Caretaker chooses.”

I smiled like an Einherjar.  “I chose your hate.  See it yonder on the marble porch?”

Incanting dark spells, Athena turned to see the floating green cloak of thorns, most of which turned inwards.  Wet Olympian blood still gleamed on their points.

“Hate always hurts the one who wears it.”


Arachne gasped as once more she stood in human form, though her gown now was clinging spider-silk.  Her beauty breathed of sunshine and honey.  I suspect that long ago, Athena envied more than her weaving skills.

Athena’s inhuman face lengthened.  “And should I step back onto the porch?”

Mouse chirped, “You cannot, Great One. Those who enter unbidden must stay the night.”

Athena breathed icily.  “But come morn, should I embrace it?”

“You would find it gone,” I said.  “Hate left untended dissipates.”

Teeth like flint daggers flashed.  “You think yourself clever, Caretaker?  You are nothing.  Nothing!”

“I am loyal.  I have done my duty to one guest.  Now, I must put Grande Dame to bed.”

Thomas rumbled, “One night, you will not return.”

From the attic whose walls were not walls, Grande Dame’s yawn stirred the ancient air.

“I am beckoned.  Honor would have me go.”.

Athena’s laughter swirled behind me like graveyard blossoms.

I turned, climbing the steps with Mouse shivering in my shirt pocket.  I gently tapped his head.  In the end, it is our hearts that prove our undoing.


Monday, July 31, 2017

HOOK YOUR READER! IWSG post





The news.

 It has none of the characteristics that make something worthwhile.

It's not fun, it causes anxiety, it gives you a warped sense of reality, 

and people who watch it are rarely going to do anything with the information they get.

Yet, watch it they do.  Why?


If we want our books to sell, 
we need to be able to answer 
that question.


The appeal of many books, ideas and actions boils down to six key factors –

1.)  A person-centered subject matter
2.)  The presence of patterns
3.)  The odd incongruity
4.)  A topic that pushes the buttons of hope or fear
5.)  Stimuli that engage our body or senses 
6.)  Thoughts that play to our psychological biases


 Rhyming idioms are catchy, attractive and appear truthful 

because they are easy to mentally process and their repetitive sound appeals to our love of patterns.

Idioms that at first glance appear contradictory stimulate our keen eye for incongruity.


Fiction is so engrossing because we are hard-wired to detect useful information 

and while part of our brain knows that what we are reading is make-believe,

 another part thinks the characters, and events, are real.

Some aspect of our poor susceptible minds really thinks Hannibal Lector is out there. 

Somewhere.


Have you ever left a movie feeling vaguely dissatisfied?  

You didn’t like the film but don’t know exactly why?

 Chances are, the movie failed in terms of story structure. 

 Storytelling is so ingrained in us that it sets up certain expectations for how a story should unfold.  

When those expectations are defied, it leaves us vaguely unsettled.


A story is a character in pursuit of a goal in the face of an obstacle or challenge.

How the character resolves (or fails to resolve) the challenge creates the drama and human interest that keeps us reading or listening.


HOW TO HOOK THE READER ... 


1.) GET INTO YOUR PROTAGONIST'S HEAD RIGHT OFF AND STAY THERE.


2.) NO HEAD HOPPING

Readers will only know how the other characters are feeling through what your protagonist

 (POV character) 

notices and perceives—their words, actions, facial expressions, tone of voice, body language, etc.


3.) LEARN FROM THE DOCTOR DELIVERING A BABY

Slap your MC right out of the gate.   

It doesn’t need to be the main problem of the story,

but put something on the first or second page that challenges him and makes the readers start worrying about him.

 The difficulty or dilemma can be internal, external, or interpersonal.


4.) GRAVITY TAKES NO BREAKS; IT ONLY GIVES THEM 

Introduce some opposition in the first few pages.  

Bring on a rival, an enemy, or a nasty villain fairly early to get things moving fast and make your readers start biting their nails.


5.) SURPRISE!

 Surprise gets our attention by defying our expectations. 

We’re wired to immediately start figuring out what’s actually going on, 

the better to gauge whether the smack we're about to receive will be on the lips or aside the head.


6.) SQUIRM!

 Science has proven that the brain uses emotion, rather than reason, to gauge what matters to us.

So it’s not surprising that when it comes to story, if we’re not feeling, we’re not reading.

 In a compelling story the reader slips into the protagonist’s skin and becomes her/him –

feeling what she feels, wanting what she wants, fearing what she fears.


7.) HEMINGWAY YOUR WORDS

Over 11,000,000 pieces of information dive-bomb our five senses every second. 

Don't add to the reader's input unless it is necessary. Bore the reader; lose the reader.


8.)  NEVER BLUR THE FOCUS

We access the universal only through the very specific.  The story is in the specifics.

"Dario had a hard day."

There are all sorts of hard days. Is Dario a door-to-door salesman or a Roman gladiator?

Use the" Eyes-Wide-Shut test."

If you shut your eyes, can you see it? If not, then neither can the reader.


9.) MAKE THEM LAUGH

Life is hard enough for your reader.  Give them a chuckle or two in each chapter even if your tale is a dark one.

It is always darker after a light has died than if it had never existed at all. 


10.) CARE ABOUT YOUR STORY

If you care, it will carry over into your words.

Charlaine Harris stopped caring about Sookie 

and just continued to write the novels to keep her contract.

It showed.

However she redeemed herself with her Midnight, Texas novels.


Let's hope her enthusiasm for those characters is not tarnished by the NBC series based on them.
 

For laughter and reflection: