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Monday, February 28, 2011

WHY MYTH?


Don't forget to vote for my GateKeeper entry (THE LEGEND OF VICTOR STANDISH) :

http://www.wattpad.com/1073509-the-legend-of-victor-standish#comments

Myth springs like Athena from Zeus' forehead from the Greek "mythos," meaning word or story.

Man has always used stories to explain things he could not understand or explain otherwise.

Ancient myths were the stories that sifted mysteries into answers that made the dark less frightening.

In essence, then, Myths are metaphors for life and its challenges.

World Mythology has a deep skeleton of common images and motifs that provide a structure ...

an eternal, common quest, if you would, of Man for self-awareness in the face of entropy,

that eternal dark of disorder that waits upon the night's horizon to swallow both meaning and fulfilment.

Bottom line :

myths are the magics that take our breath with that child's awe of the first snowfall.

We listen to their magic because they tap the collective unconscious :

the dreams and hopes and fears which murmur in the night to all of us.


On one level, our modern society seems devoid of myths.

Perhaps that is why many have a sense of meaninglessness, estrangement, rootlessness, and the cold brittleness of a life devoid of reverence and awe.

Those of you have a deep belief in God do not take offense. I, also, have a deep connection with The Father and with His Son.

I am talking about another level of consciousness. A level that often withers from lack of nuturing early in childhood.

We each have our own mythology. Consciously or unconsciously, we create our own myths.

We have our own fables -- the things which are important and valued and vibrant to us personally.

We are the heroes in "mythic journeys" by which we romanticize our various passages through life.

Although we generally accept cultural myths to the extent to which we are a part of our culture,

the truly satisfying and exciting myths are those which arise from our own passions, our own dreams, and our own visions.

As Joseph Campbell said, in An Open Life,

"The imagery of mythology is symbolic of the spiritual power within us."

In this symbolism, we see mythological characters who represent love, youth, death, wealth, virility, fear, evil, and other archetypal facets of life --

and we also see natural events such as rain and wind. The fanciful beings are personifications of those facets, those "energies."

As we read about the interplay of these forces of nature, we are viewing a dream-like fantasy which portrays the interaction of the elements of our own lives.

In Lakota myth, everything is alive, impacting everything else in a delicate web of life.

In Celtic myth, splendor and magic contest with kings and their kingdoms. Lakota myth emphasize the inner, while Celtic stresses the outer.

My half-Lakota mother taught me the importance of being rather than striving to possess.

It is not that we Lakota do not care about physical comfort or material possessions. It is that we do not measure ourselves or others by those things.

We believe we are measured by how well we manifest the virtues praised in our stories and myths.

When the Europeans devastated the Lakota culture and peoples,

we survived by becoming the kind of people spoken of in our hero-cycles and myths.

They are our gifts to the world's peoples to draw strength from for themselves, no matter what race or creed they may be.

These stories continue to inspire and sustain the Lakota people.

And for one desperately ill boy in a frozen-in Detroit basement apartment, the tales melded of both Lakota and Celtic myth whispered not to fear that last looming darkness ...

that Death was just a change in worlds ...

and that Hibbs, the bear with 2 shadows, who championed all hurting children and who had passed beyond and back again,

would champion the cause of that feverish, shivering, coughing little boy.

And before my mother's wondering eyes,

I rallied,

feeling the chills as the loving touch of the Turquoise Woman and seeing the dark shadow at the foot of my bed as the comforting spirit of Hibbs,

he who had been the cub with no clue who grew into the mighty bear with two shadows.

So, there, you have a taste of what my friends and I will be talking about on my book blog tour that we are now setting up.

Have a magical new week, Roland
***

Sunday, February 27, 2011

IF HELL IS OTHER PEOPLE_WHO ARE WE?



Don't forget to vote for Victor Standish :

http://www.wattpad.com/1073509-the-legend-of-victor-standish#comments


"Hell is other people."

Jean-Paul Sarte wrote that a long ago. A good friend quoted it last night in an email.

Recently, she received a rejection from what she called an Uber-Agent.

The agent wrote that if my friend was too stupid to know how to change the formatting of her email then she was too stupid for the agent's time.

Ouch.

When I first started out, I got a similar reply, and I learned how to do it.

I wrote my friend how to change her format. It's a guy-thing.

We hear a friend tell of a problem, we tell how to fix it.

Counselor Rule #1 : Listen beneath the words.

My friend is smart. She learned how to format all on her own, thank you very much. No. That wasn't the problem.

This same Uber-Agent was one of the players of last year's "Maybe we should bill our clients into poverty by the hour" debate.

Most agents are just like us :

overworked, underpaid, wondering how to pay the mounting bills in this harsh economy.

You really can't blame them for looking for new ways out of growing debt.

Counselor Rule #2 : Cruelty is never personal.

Now, when your nose has just been broken by a bully, it's hard to convince your pain of that. But it's true.

Cruelty is all about some lack, some insecurity in the instigator of it.

The Uber-Agent did my friend a favor.

The cutting rejection was just the tip of the iceberg.

It implied that the agent took the ability to hurt without consequence as license to do so.

I certainly wouldn't want a business partnership with a sadist. I want a professional.

As for wanting the allure of charging by the hour and the opportunity for abuse it would give ...

greed is never personal either.

But there is a reason we lock the doors when we leave home.

Not everyone is a crook. But they are out there.

Moral : Never wear a raw meat necklace in the jungle.

Counselor Rule #3 : Would you just shut up and do Rule #1.

My friend wrote me because she was beginning to believe that the world of agenting was harsh, greedy, and pain-inflicting.

Counselor Rule #4 : Sometimes the other person is right.

I agreed with my friend that sometimes business is a cold world of numbers. She was indeed right. I went further.

It just wasn't the world of agenting : the whole world was often that way.

Counselor Rule #5 : It is what is. What are you going to do now?

Resigning from the world is not an option.

Within you there is a path out of whatever jungle you find yourself.


Sign Post #1 : See the jungle through the other person's eyes :

Mostly the world runs on self-interest.

The agent is not Mother Theresa. She wants to make a good living for her efforts. Just like we do.

You are merely one of the means to do so.

If you're not helping her put money into her pockets,

then the time she is using on you is taking money out of those same pockets.

Solution : Make yourself worth her time.

Learn your craft. Strive to grow daily. Accept assholes as the price of living.

Try not to become an asshole yourself.

Help the people you meet along the way. Become the change you want to see in the world.


Sign Post #2 : Remember Rule #2

It hardly ever is personal when someone hurts you.

It comes from the hurt within them. Look for that hurt. Try not to step on that sore toe ever again.

As long as it is honorable, dance whatever dance that takes.


Sign Post #3 : If you're heading in the wrong direction, darting forward is certainly not going to get you to your desired destination any faster.

Sometimes harsh people are right in the wrong way. Look at your work. Could it be improved?

Of course it could.

Could you learn more about the busisness end of writing?

Of course you could.

Reading agents' blogs is like listening to Presidential Press Agents :

you are only hearing what they want you to hear.

Those blogs will give you a guide on how not to irritate the agents.

But the true skinny lies behind those curtains.


Sign Post #4 : Go behind those curtains.

The blogs that will help you do that :

WRITER BEWARE :
http://www.sfwa.org/for-authors/writer-beware/

WRITER BEWARE BLOGS :
http://accrispin.blogspot.com/

VICTORIA STRAUSS :
http://www.victoriastrauss.com/

ABSOLUTE WRITE WATER COOLER :
http://absolutewrite.com/forums/

PREDITORS AND EDITORS :
http://pred-ed.com/pubagent.htm

Two Books that will help you do that :


THE SONS OF MAXWELL PERKINS :
http://www.amazon.com/gp/product/1570035482/ref=kinw_rke_rti_1


{In April 1938 F. Scott Fitzgerald wrote to his editor Maxwell Perkins, "What a time you’ve had with your sons, Max—Ernest gone to Spain, me gone to Hollywood, Tom Wolfe reverting to an artistic hill-billy."

As the sole literary editor with name recognition among students of American literature, Perkins remains permanently linked to Fitzgerald, Hemingway, and Wolfe in literary history and literary myth.

Their relationships, lived largely by letters, play out in the 221 letters Matthew J. Bruccoli has assembled in this volume.

This collection documents the extent of the fatherly forbearance, attention, and encouragement the legendary Scribners editor gave to his authorial sons. The correspondence portrays his ability to juggle the requirements of his three geniuses.


SAVE THE CAT :
http://www.amazon.com/Save-Last-Book-Screenwriting-Youll/dp/1932907009/ref=sr_1_1?ie=UTF8&s=books&qid=1277664679&sr=1-1

Blake Snyder was a working, selling writer himself, so that gives the reader a true inside glimpse into what it's like, what it takes, and what to expect on the long road to screenwriting success.

Many screenwriting how-to books are written by people who have few or no real studio credits, so with this book you are getting the info direct from the source of a successful member of the Hollywood elite.

Synder starts out with a bang, describing how important a good title, pitch and concept are, and giving tons of useful advise for whipping those log lines into shape, {the best shape ever in fact, for as the author points out, many industry powerbrokers won't even look beyond a log line...so it better be good. Very good}

He also gives an insider's look at the world of screenwriter's agents {which is not so different from the world of literary agents.}

************

I thought that if my friend felt as she did, then others out there in the blogverse probably did, too. I hope that today's post helped in some small way

***********
There are some hilarious Bruce Campbell soup labels you can print out and paste on your own soup cans to amuse friends who drop over at this site
http://scifiwire.com/2010/06/four-labels-from-the-bruc.php

Because I like Bruce Campbell almost as much as I do CALVIN & HOBBES, here is the man himself doing a summation of my post :


Saturday, February 26, 2011

TALE'S END_Tara's HOT KISS BLOGFEST entry


The lovely Tara Fouts is having her HOT KISS BLOGFEST today :

http://t-fouts.blogspot.com/

Please vote :

http://www.wattpad.com/1073509-the-legend-of-victor-standish?d=ud

Many of you have come to love Fallen, the haunted Sidhe. She appears in THE BEAR WITH 2 SHADOWS, asking Hibbs to bring her Blake back to her.

Before Victor Standish, there was Blake Adamson. And here is the end of the tale for Fallen and her Blake, told through his eyes.

{Blake has been stabbed in the back by the hate of Fallen given living form. Solomon, the Angelus of man's body and panther face, is racing the chariot of Death to Valhalla in a mad attempt to save Blake's life.}


Her faerie eyes seemed to be on the brink of breaking down completely.

She took my right hand in hers gently. "Oh, hold on, Blake."

I shook my head. "C-Can’t."

"Don’t say that," she sobbed, bending down and placing her head on my chest.

She jerked up, her eyes wild with the desperation of finding some way of holding on to me. "Together. T-The Father told you we’d - we’d always be together. You can’t die. You can’t die."

I tried to hold up my left hand. No good. Like Fallen’s Hate had told me, I was all washed up.

I lifted it with my mind fingers, and even then, it took all I had to do it. I placed my trembling hand over her heart and tried for a smile. I don’t think I made it.

"H-Here. Always together. Here."

She looked up in agony as if there’d be an answer in the heavens. "Not good enough," she wailed. "Not good enough."

Black tears streaming down her face, she held my hand tight as if willing her life force into me. "Don’t leave me, Blake. Don’t leave me."

As black as her tears became the world around her, so that all I could make out was her face in a ever-thickening mist. My eyes must have been glazing over because I heard her crying low. She squeezed my hand even harder.

"If - If you st-stay, I-I’ll tell you a secret."

I forced my eyes open wide to clear them. It worked. A little.

This time I did manage a small smile. With my mind fingers, I wiggled my ears.

"I-I’m all ears."

She cocked her head as if she couldn’t bear the pain inside her. "Oh, y-you and y-your dumb jo-jokes."

She reached out and gently brushed that stubborn lock of hair from my eyes. "You know all those times you flew at night?"

"Yes," I whispered.

"W-Well, I ... I crept into your room then."

"What?"

She turned her head to the left as if the memory was killing her.

"I ... I used to go to your chest of drawers and touch your - your combs and brush, running my fingers along them. I’d imagine you fighting to get that mop y-you call hair to stay down."

She smiled a smile of agony, her lips trembling. "I’d - I’d laugh and sit on your bed and s-smell your pillow, that always smelled of pine trees."

I tried for a swallow and didn’t make it. Tears started to blind me. She knew what my hair smelled like. Fallen looked as she were about to shatter inside.

"Th-Then, I’d pick up whatever book you were reading at the time, and ... and I’d open it, looking at the parts you - you underlined -"

She mewed soft and long as if she were about to break down. And I think she might have except that Solomon choked down a sob himself.

She looked up. He turned his head away and slapped the black reins with a sharp snap.

The chariot took off faster in a lurch that sent a jagged bolt of agony through me. Fallen picked me up to cushion me. And meaning to help me, she sent another spear of pain through me.

But in a way that was a good thing, for it cleared my vision and hearing. She stroked my right cheek softly.

"Those - those parts you underlined. I read them out loud, pretending you were rea-reading them to me."

She sniffed back the tears. "Your books. To my eyes, they burned with so many different colors. So many. I - I could tell what books made you sad, or laugh, or angry."

Suddenly, she wrapped me in a fierce embrace. "But the book that burned the brightest was the one that had ‘Annabel Lee’ in it."

She sniffed wetter this time. "I knew all about that poem, B-Blake, all this time. All this time."

She clutched me tighter, holding her cheek against mine and rocking and rocking. "Y-You want to know what the color of love is?"

"Wh-What?"

"The color of love is you," she sobbed.

"Is you!"

She turned to Solomon, who was blinking back tears himself, and wailed, "You’re the Angel of The Most High. Tell me. Why does evil always win? Why? WHY?"

She raised her head and howled gut-deep like a shot animal. I couldn’t take it. And neither could Solomon.

He turned his head away, choking down another sob. I lifted my hand with my mind fingers and stroked her cheek.

She shook her head that shivered in spasms. "I always thought I would be Annabel Lee. Not you. Not you!"

I forced my traitor throat to work, and it rebelled, making my words hoarse, almost impossible to understand even for me. "A-As long as you live, I live - in you."

Her lower lip trembled so I thought she’d break down, but she managed to get out, "You big, d-dumb b-boy scout. I don’t want to go on living if you die. Don’t you know that?"

I tried to speak, but the world grew hazy and dark again. My head nodded to my chest. She shook me hard.

"Blake!"

I fluttered my eyes open and saw her reach frantic inside her mind. "I - I know your secret."

"What - what secret could ... a boy scout like me have?"

She smiled as if that secret was a knife in her heart. "That ‘full on the lips’ kiss you wrote about in your diary."

"You read my diary!," I moaned.

She shook her mane, a bitterness twisting her face. "Such a silly thing. A simple thing. And ... And I teased you so with it."

I had tried to stay with her, but it was no good. Her face. I could barely make it out anymore. Only her tortured eyes, and them only in a thick haze. My head nodded, then my chin settled on my chest, and I heard her from far, far off.

"A-And now, wh-when it is too late, when y-you will not even feel it, I shall give you our f-first, our last, ... my only kiss."

I prayed silently, 'Oh, Father, grant me strength just one more time.’

I smiled with all the love I had burning in me for her.

"Another thing you said a long time ago, Fallen, was - was that sometimes the best words were actions."

And with that, I wrapped my left arm around her and pulled her to me. I leaned in to her face. She sobbed, then her trembling lips parted.

Her lids went all heavy. And she kissed me, fierce, hungry, wild, just like she was deep inside. She crushed me to her. Her tongue touched mine.

I - I had never been kissed like that before. I didn’t know what to do.

I touched back as hard as I could. It must have been the right thing to do ‘cause she ran her tongue along mine, and I did the same to hers.

That had to have been the right thing to do, too, as she leaned her whole body into me, her lips crushing mine. I squeezed back.

She felt so soft, yet hard at the same time, in my arms. Her lips were soft, too, even as they pressed hard against mine.

And for one small magic moment, we were one.

Not in body, but in the heart, the spirit, the very soul. We were one. And she was mine. Mine.

Fallen was mine.

Our first kiss was all I had hoped it would be. No. A hundred times better. It was wonderful.

Wonder-

It was as if a plug had been pulled deep, deep within me, and all I was got sucked down a black hungry whirlpool that was darker than just sleep or fainting. Down, down, down, I went, being tugged down into a cold, black, starless sea that billowed all about me.

I went limp in Fallen’s arms. She screamed then, as if the very heart of her had been cut out. Strange. It had sounded as if she were three miles away. How odd.

Then, before I was pulled under completely, I heard someone else. Solomon.

But he was even fainter, so far off, so very far off. His voice seemed all but choked out with tears.

"S-Sorry, Sidhe, but - but even good souls die."

I was a child, and she was a child
In this kingdom by the sea,
But we loved with a love that was more than love,
I and my Annabel Lee.
***

HOW TO GET AN AGENT FAST!



Please vote for my GateKeeper Contest entry. Victor's mother is beginning to grumble about the lack of votes. Ah, Death has no sense of humor.

http://www.wattpad.com/1073509-the-legend-of-victor-standish?d=ud

Now, to my post title : HOW TO GET AN AGENT FAST!

One sentence answer :

Make the sale for her.

Before you get your hackles up, bear with me for a second.

I didn't say it was fair. It's just how to get an agent fast. You make the sale yourself.

Besides, in a way, it is quite fair :

Who else knows your novel as intimately as you do?

Who else can see its market potential, how best to phrase its strengths, illuminate why what might seem a weakness is in fact a strength?

Your carefully crafted query will more than likely be the essence of your agent's pitch to weary, skeptical editors.

Making your query shine not only makes your agent look better, it makes her sale easier.

And after all, 85% of the money from that sale will go to you.

Then why do you need agents in the first place?

Cliff Notes answer :

Most publishers won't look at you without one.

Agents will fight for you to get more money for a long list of rights you know nothing about, and when your editor moves on, your agent will make sure you're not shoved to the bottom of the stack

(which you will be if you don't have an agent.)

All right. How do you make the sale for them?

1) Make your own market :
Conventional wisdom says start your own blog. Be unconventional. Make the "Pet Rock" of blogs. How?

You do daily posts. Don't groan. You need to build a following. Daily posts will do that for you.

You make short posts for shorter attention spans.

You make each one funny. Be the Christopher Moore of blogdom. How?

Nothing is shorter than a one panel cartoon. Create a zombie Ziggy (creation by Tom Wilson.) Call him "Nearly Dead Ned." Place him in a post-apocalyptic New York City.

First cartoon :
Ned is happily eating his own forefinger. The caption reads : "The trouble with finger sandwiches is that none are as good as homemade."

Second cartoon :
Ned is looking odd at a cobwebbed skeleton by a doorway. The skeleton is wearing sunglasses and a badge " Help the Blind." The skeleton is pressing a door buzzer under a sign which reads : "School for the Deaf."

Third cartoon :
Ned is lumbering down a street in the red light district. He has passed two bars. One advertises : "Live Nudes." The second : "Undead Nudes."
Ned is stopped in front of the third with his now classic puzzled look. Its window reads : "Don't Ask."

You do a year's worth of cartoons. Pick the ones with the largest number of favorable comments. Bind them up and submit to agents with the comments to each attached, along with the daily stats for your blog.

{Now, obviously this is just an example of an unconventional "Pet Rock" blog. You have to use your own muse to take off and run with the concept.}

2) Fan the flames of off-line and on-line interest :
As I will do shortly with my blog tour for the next classic fantasy to take America's imagination by storm : THE BEAR WITH 2 SHADOWS.

And wouldn't you have loved to have been one of the first readers to have read and been amazed by the magic of THE LORD OF THE RINGS? Don't believe me? Download those first free chapters. You'll be a believer.


Get a local reporter to do a review of your novel for your local newspaper. Hopscotch that into another review from the newspaper of a near-by town.

3) Make a book trailer of your novel.
Using the students from a local university, create a book trailer. Utilize public domain music and images.

Splice the images with teases from your novel. Put the book trailer on your blog and on YouTube.

Advertise your book trailer on the blogs of your friends, in the local newspaper, and in the local college newspaper (hawking the fact that you used students from said college.)

4) Petition your local newspaper and those free newspapers at the doors to every grocery store to do free reviews for upcoming books and movies. Keep a record of each and every article you do for different newpapers with names and dates.

5) Be sure you state all of the above quickly and tersely at the end of every query to every agent.

And there you have the five easy steps to get an agent fast. They might even work. May we all get agents faster than we believe possible.
{Cartoon by the comic genius, Chuck Ingwersen
http://wordsandtoons.com/2009/05/ }
***************************************
And a movie that succeeded due to its unconventional take on a classic subject is :

Friday, February 25, 2011

PREPARING A TASTY LOGLINE




Don't forget to vote for Victor in the Gatekeeper Contest. Alice is talking about going door to door, and her stomach is rumbling. Just trying to watch out for you guys is all :

http://www.wattpad.com/1073509-the-legend-of-victor-standish?d=ud

You need the right ingredients to prepare a delicious logline :

I.) TITLE :

It must be short, magnetic, and say it all.

Sure, piece of cake ... Devil's Food Cake. Darn hard, but it can be done.

EXAMPLES :

THREE MEN AND A BABY.
(You just know it's going to be a comedy of errors, and you know all the players in just 5 words.)

NIGHT OF THE LIVING DEAD

(It says it all in another 5 words : horror, action, the living versus the undead)

SEAN OF THE DEAD

(In 4 fours you get comedy, horror, and you know it is going to be a toss-up between a floundering human against hordes of shambling dead.)

II.) The sweet/sour sauce of IRONY with a hint of the spice of SAY WHAT?

BLIND DATE :

She's the perfect girl -- until she takes that first drink.

(You see it all, don't you? In just 10 words. Comedy of a guy finding his dream date, only to see his dream become a nightmare.)

DIE HARD :

On Christmas Eve, a cop tries to repair his broken marriage, only to find her company's building seized by terrorists.

(Twenty words this time, but they spell out irony, desperation, action, and thrills.)

III.) Remember THE GOOD; leave out THE BAD and THE UGLY :

PLANES, TRAINS, AND AUTOMOBILES :

Two polar opposite men must scramble across country in whatever vehicle they can to make it home for Thanksgiving.

(This title is the good -- you know from it that it is a comedy and the venue where the action is going to take place.)

DUE DATE :
(This is basically the same movie, but the title is vague. Is it about an expectant mother? The only draw is Robert Downey, Jr.

But your novel will not have that catalyst. In novel loglines, the magic must be in the prose.)

RUBY TUESDAY :

(Do you have any idea what this novel will be about? Is it a name of a girl, a store, a restaurant, a name of a covert Intelligence plan? This is an example of an UGLY title for a logline.)

IV.) THE HOOK :

SHORT TIME :

A timid cop on the eve of retirement finds he is dying from a disease not covered by police insurance. To protect his family's future, he must have none.

The cowardly lion must die in the line of duty. The only problem : his partner wants to live out the week!

(Long but you see it all. Fifty words gives you the whole novel :

the fear, the love, the desperation, ... and the partner going crazy trying to stay alive.

If you needed to, you could use just this one sentence :

To protect his family's future, a timid cop must insure he has none.)

VI.) The whole picture :

A.) All the above examples gives the agent the entire novel in just one short logline. You must do that -- and fast to snare the eye-weary attention of an agent numbed by a long line of vague, rambling loglines with no clear conflict and intended goal.

B.) How do you come up with that?

Think of your novel as a movie poster. The iconic image, the swirling glimpses of the dangers and allures in the background. Put the movie poster of your novel in 30 words or less -- and you have a winning logline.

C.) Create an itch the agent must scratch :

1.) With a title that grabs the collar of the agent :

I DIED YESTERDAY

2.) With irony that won't quit :

A teen finds the love of his life looking down upon him as he lies in his coffin.

3.) With a logline that gives you goal, obstacles, and resolution in one mental flash :

A mysterious funeral director tells the ghost of a teen he can be with the girl he loves always ... if he convinces her to take her own life. The teen must decide what true love really is.

@) There. I hope I have helped in some small way. Roland
***

Thursday, February 24, 2011

HOW TO PAY THE TUITION OF REJECTION WITHOUT GOING BANKRUPT


Please vote for THE LEGEND OF VICTOR STANDISH for the Gatekeeper Contest :

http://www.wattpad.com/1073509-the-legend-of-victor-standish?d=ud

"Adversity is like a strong wind. It tears away from us all but the things that cannot be torn, so that we see ourselves as we really are."

- Arthur Golden


Mr. Golden is the author of MEMOIRS OF A GEISHA. In that novel, he has a passage that translates well to our dealing with rejection and waiting for an agent to accept us :

“From this experience I understood the danger of focusing only on what isn't there.

What if I came to the end of my life and realized that I'd spent every day watching for a man who would never come to me?

What an unbearable sorrow it would be, to realize I'd never really tasted the things I'd eaten, or seen the places I'd been, because I'd thought of nothing but the Chairman even while my life was drifting away from me.

And yet if I drew my thoughts back from him, what life would I have? I would be like a dancer who had practiced since childhood for a performance she would never give.”


The answer to me is that each day we dance. Perhaps not to the tune we would wish but to a melody circumstances demand of us. And sometimes it is very hard to keep from tripping over our own feet.

Let's think through rejections and see what they might mean :

1) You write badly.

Ouch. But often we get carried away with the Zen of writing, typing in the moment without a thought of how to be precise with our verbal blows. Sloppy writing is rejected writing.

*) Solution?

Go to the internet or the bookstore or the library. Take books by Hemingway, Chandler, Koonz, King, Updike, Vidal, and Bellows.

Read a chapter from each one. Study their use of specific words. How did they space their paragraphs? How did they convey emotion? { With dialogue, with detail, with what wasn't said?}

See if you can improve on a paragraph picked at random with eyes closed and stabbing forefinger. Can't? Welcome to the club.

Can? Then you've grown more than the writer you were before the rejection.

2) You plot with all the grace of a plodding horse with blinders :

All too often we start with the burst of a scene or of an opening hook. But we have no sense of direction or a map of where we take our hero.

Is it a journey that would entice a reader? Why? Where is the driving momentum that keeps the reader flipping the pages hurriedly?

*) Solution?

Take those same books you've bought or borrowed, looking for the map of their story. How? Look at the jacket blurbs.

Read the summations on the jacket flap. See the primal drives? See them being blocked? See the primal dangers? Read the first chapters. Read the last ones. Compare the two. How did the hero change? How did his/her world change?

Read the first paragraph. Read the last. See the novel's bookends of thought and transformation?

3) Cliche is your first, middle, and last name :

Cliches can creep up on us. If you ever catch yourself writing "like white on rice," lick your forefinger and stick it into a live socket.

That's what the agent reading those words wants to do with you.

Scum layers the top of the lake. The true game fish swirl around deep at the bottom. So it is with the imagination. We want to be writers.

Do we want to be deep-sea explorers? If we want to be offered representation by an agent, we do.

*) Solution?

Read the jacket blurbs again. Sound familiar? Yes, because the plots started out as original but have been copied and copied by TV and Hollywood until the stories are familair.

Throw a what if in your thinking. What if the hitman of your novel is different somehow?

How? Twist the plot on its ear. Your hitman is from the future. Why would someone travel from the future to kill people?

One reason : he hates his life, his world, and the girl who jilted him. So he is off killing his great-grandparents, those of his world's greatest leaders, and those of his girl.

Up the ante :

he falls in love with his own great-grandmother. Whoops. He becomes a bad joke.

The punchline : his own father arrives from the future to kill him. And it turns out that he's not all that wild about his own life up the time stream either. And he wants the hitman's new girl for himself.

4) Nothing is wrong with your novel.

You're just one query in a sea of millions of them. You just didn't wow the agent enough to impress her. Or she was too tired or too caught up with the flow of rejecting every email in front of her.

You query boat just got swamped in the storm of submissions.

*) Solution?

You do all of the above. You strive to grow each writing day into becoming a better author. You keep on submitting.

5) You weren't a good fit for that particular agent.

You failed to do your due diligence. Or you did, and their website hasn't been updated to accurately reflect the changes in their editorial attitude.

*) Solution?

You find more about the next agent before you query. Google not just webpages, agent query, or absolute write water cooler --

you type in the agent's name and follow with "interviews." Read as many interviews with that agent as possible.

You type in "blogs." Read the last ten posts of that agent's blog. Go the archive of her blog. Read the titles of her posts to see if there are any that speak to what you've written.

6) You asked for it :

Yes, you did. Me, too. How?

We became writers. The day we started down that path, we agreed to pay the toll at the gate. The toll? Getting rejected more times than we get accepted. Knowing that there is no promise that we ever will get accepted.

*) Solution?

Be Cortez.

When Cortez landed on the shores of the New World, he caught his men eyeing the ships and the horizon leading home.

He burned the ships.

We have to burn the ship. No retreat. No surrender. Only advance. Stumble. Fall. Get up. Walk on. Hack our way through the agent jungle.

Never surrender. Never give up. Only grow stronger. Grow better. Grow wiser.

Oh, and every now and then, bend down and give the person who's fallen along the way a hand back on his/her feet. Wink, smile, and say, "Hell of a trip, ain't it?"

***
And thinking about never surrendering, never giving up :

DARK WATERS_enter your short story to be published!


Eric W. Trant has an announcement on his blog for a short story submission opportunity that you must not miss!

http://diggingwiththeworms.blogspot.com/2011/02/call-for-submissions-march-15.html

So get your submissions in! Debrin Case is looking for new authors, unpublished, up-and-comers.

He's a small publisher, so make sure that's your bag.

Small pubs usually mean less money, more personality, less editing, more artistic freedom, smaller distribution, more devoted fans, newer and less-known authors,

a better chance at actually getting published!

So it's a give-n-take with the small publisher. Eric personally has enjoyed it because the pressure is less intense, and the pay even from a large publishing house rarely outweighs the stress they induce on their writers.

Anyway, get to submitting!

Are you submitting? Post up a ~small~ excerpt. What is your story about? Please spread the word. Let other talented writers know they have until March 15 to submit to An Honest Lie.

And my short story to AN HONEST LIE?

It is the historical horror story, DARK WATERS, where 12 year old Samuel Clemens, long before he started calling himself Mark Twain, shows mercy to the murderer of his father ...

or does he? My undead Texas Ranger, Samuel McCord, accompanies the boy on his dark journey through the soul. Here are appox. 300 words of it :

As we walked down the spacious hallway, she edged away from me.

She swallowed hard once, then managed to get out her words,

“Capt. McCord, there’s monstrous mean haunts in this world. And then there be some who are damn fool enough to try and do good, only they ends up making things terrible bad for everyone around them.”

She forced herself to look me in the eyes. “Which one is you?”

“The damn fool kind.”

She almost smiled. “Leastways you be a truth-telling haunt.”

“It’s a failing.”

“That kind of thinking is what makes you a haunt.”

She was wrong. But there was a lot of that going around.

“Miss Jane has gone through terrible, sad times. Mr. Marshal he done tried, but he ain’t got a lick of business sense. Me, I’m the last thing they own of any value.”

I felt sick. Thing. She had called herself a thing. What kind of world was it when one race made another think of themselves that way? A world of justifiable hypocrisy.

I shook my head. “They don’t own you anymore.”

Her dusky face went as sick pale as it could get. “M-Mr. Marshall done sold me to dat devil Beebe!”

I reached inside my buckskin jacket and pulled out the hastily written bill of sale. “He was going to. But ... things didn't turn out like he planned. So he was forced to sell you to a stranger ... to me.”

I gave her the paper. She took it with trembling fingers. She stared at it hollow-eyed as if it were the parchment selling her soul to the devil.

“I - I can’t read, mister.”

“Get Sammy to teach you.”

She glared at me. “You is evil!”

“Turn it over, Jennie.”

“I done told you I can’t read!”

“But Sammy can. Show it to him. He’ll tell you that I’ve given ownership of you to --”

Jennie’s face became all eyes. “T-To little Sammy? Oh, bless --”

I shook my head. “No, Jennie.”

She took a step backwards, her voice becoming a soft wail. “Not back to Mr. Marshall? He’ll just be selling me again.”

I reached out with my gloved right hand that must never touch bare, innocent flesh and softly squeezed her upper right arm. “No, I gave ownership of you to --- you.”

“I’m -- I’m free?”

“Well, the judge said you were priceless.”

“Oh, you is one of the good haunts!”

She rushed and hugged me, stiffening as she felt how cold my whole body was. She edged back a step. I met her suddenly hollow eyes.

I smiled sad. “But still a haunt.”

We were silent all the way to the guest bedroom. She opened the door then her mouth. No words came out. But she did give me back my sad smile. I watched her walk away staring at the bill of sales as if it were holy writ.

It was something. More than a haunt like me had the right to expect. Maybe my pillow would be the softer for it.

Or maybe that was just my justifiable hypocrisy talking.


***