FREE KINDLE FOR PC

FREE KINDLE FOR PC
So you can read my books
Showing posts with label SAMUEL AND MEILORI. Show all posts
Showing posts with label SAMUEL AND MEILORI. Show all posts

Wednesday, September 17, 2014

A NEW TERROR BORN IN DEATH

 
ANCIENT EVIL NEVER LOOKED SO BEAUTIFUL
 
 
 
Older than the Sphinx
Deadlier than the Colors out of Space
 
Meilori Shinseen is the most
dangerous creature on this planet ...
 
And beloved to the cursed lawman,
Captain Samuel McCord.
 
What will he do when she
enters the desert wastes of 1895 Egypt
in search
of the lost facets of her nature
even she found reprehensible?
 
Join McCord and his companions:
Nikola Tesla, Mark Twain,
Oscar Wilde, Ada Byron
and
Winston Churchill
 
As McCord tries to walk the razor's edge
between love and honor.
 
Will he succeed?
 
Listen to Robert Rossman's
thrilling narration of
DEATH IN THE HOUSE OF LIFE
and find out.
 
"Oh, if when you died,
you were only dead."
- Meilori Shinseen

Tuesday, July 8, 2014

WEP_A picture is worth 1000 words: Haunted Desert



I am giving my entry for the WEP challenge this month a bit early

(Who knows the way my luck is going!):



{455 Words}

Excerpt from THE STARS BLEED AT MIDNIGHT


An illustrious company of adventurers are out to find the time-lost city of Amarna in 1895,

little knowing it a trap laid by Samuel McCord's most deadly enemy.


AT NIGHT, MAN IS NOT THE ONLY MONSTER



A sudden hush settled heavy on the sands.  I almost felt it weigh down upon my shoulders.  A physical silence like a roaring wind enveloped all of us.  The Ningyo bodyguards proved to be more than killers. 
They were as adept at desert clearing as much as Meilori’s diggers.  Particles of shimmering sand rode the Ningyo-made winds, looking nothing so much as mourning ghosts of some lost, accursed antiquity in the twilight.

Abigail Adam’s fingers went to her open mouth.  In fact, everyone stood stunned, looking at the desert sand being scoured in front of us to make a level plain large enough to contain some haunted mansion like the House of Usher.

Nikola Tesla stood death-still with some glittering machine in his large hands.  He aimed it at the heap of scarlet material that was our tent.  It slowly fluttered and fluffed as if it were some strange creature out of nightmare just awakening.  Tesla raised the machine, and the enormous tent spread out and up, its fabric wings flaring out with a leathery rustling.

Sammy Clemens’s daughters cried out and stumbled backwards.  Howard Carter made a sound much like them and followed their example.  Winston Churchill, his fist on the hilt of his sword, stepped towards Lucy.  Abigail noticed his movements with a grim smile.  She led Lucy back slowly a few steps. 
Oscar Wilde and Sammy, long grown used to Tesla’s marvels, just stepped back prudently, their eyes admiring the crimson fabric sweeping out and around.  The burnished, sharp stakes jutted abruptly from its bottom like a netherworld raptor preparing to strike.

Meilori flowed beside me, her Sphinx face glowing, “Is not my Wizard a wonder, Samuel?”

“Yes, he certainly is.”

But I was filled with wonder myself over something else entire.  Why had Meilori chosen this site to set up our tent?  We could have gone on for an hour more.

It was remote in the desert wastes this nameless ruin, crumbling and inarticulate with pillars wind-scoured of inscription, its low walls nearly hidden by the sands of uncounted ages. It must have been like this before the first stones of Memphis were laid, and while the bricks of Babylon were yet unbaked.

There was no legend so old as to give these ruins a name, or to recall that they were ever alive; but these ruins were spoken of in whispers around campfires and muttered about by Bedouins in their tents, praying softly to Allah for protection.

I have always known that I was an outsider; a stranger in this century and among those who are still men.  But these ruins whispered to me that mankind was a stranger to the times when they were first shaped by hands that were not hands.


Thursday, June 26, 2014

WHAT DO THE WINDS WHISPER?

Can you establish mood through description?

I believe you can.

Look around you.

Hearts have grown cold,

ears dull,

minds impatient.


And this affects you as a writer just how?

Each page of your novel could be the reader's last ...

unless ...


unless you make your novel alive and alluring.

People pick up a book in a store, thumb through it, and read a page at random.

That is your only shot at snaring him/her into buying what cost you years of sweat and effort.

Make each page count. Make each paragraph breathe. Make each moment live in the mind of the reader.

Each of the senses should be touched by your words.

And one of the ways you do that is to paint your locale with such brushstrokes of prose, the reader "sees" and "feels" and "smells" the unique flavors of your locale.


Take New Orleans:

Hollow-eyed mothers hugging hungry children within a block of spacious mansions, framed by lush bushes and gleaming iron lacework fences.

Decaying public schools slowly devolving into raucous social jungles and tribal warfare over gang colors and drug territory.

A hardened, jaded police department that in some seasons can be scarier than the city's criminals.
Official corruption at every level. Murder rates ever soaring. And hot, steamy air you can wear 7 months out of the year.


And it is a wonderful place to live:


The morning mists parting as the St. Charles streetcar happily clatters through the shimmering fog under the avenue's great oak trees.

The second-line parade of trumpet blowers high-stepping intricate steps in honor of some event or another.

The mellow, haunting notes of Ellis Marsalis playing piano as you sit at Snug Harbor, sipping a drink light on alcohol, heavy on taste.

You must paint your reader into your locale with words that touch the taste buds, stroke their cheeks, and tug on their heartstrings.

Only then, with the setting so real that they hear the sound of throaty laughter and fine jazz, will the Stetson wearing, doomed hero, Samuel McCord, feel like an actual person to them.


Remember:


Each city whispers in its own voice.

Your city. My city.

You know streets that whisper to stay away at night.

You know what scandal has stained some avenue beyond repair.
You know what person's name is spoken in hushed tones long after he or she has died and been buried in your city.

Each city has its own personality.
Like a human's, it changes with trauma, years of abuse, and moments of historic impact.

Lifting the veil from the distinctive features of the setting of your novel makes your whole narrative come alive for your reader.

But how do you do that verbal sleight of hand?

Details.

Some obvious to tourists. Some that you have to ferret out by research in the library, on the internet, or by listening to a local visitor to your setting.


Feelings.

How does your hero/heroine feel about those details? How have they affected the protagonist and those important to him or her?

Weave those details and emotions into a rich tapestry of irony and longing.

What shadowed corner of your setting is especially dangerous or emotion-laden to your central characters? Why?

Paint a passage where that tapestry flutters in the shadows, not quite completely seen but more evocative because of that.

Time.

What era is it in your setting? Has your protagonist lived through more than one era of time in it?

How has the passing seasons shaped his/her mind, opinions, and outlook for the present? For the future? How does your protagonist view his and the setting's past?

Master these points, and your novel will live for your reader.
***
I think of this music as the love theme of Samuel and his Meilori: