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Titles.
They are the things that get the reader in the bookstore to pick up the book.
But more important even than that,
they are the things that interest or push away a prospective agent.
The title is the key to getting your book read.
The quality or evocative poetry of your prose means nothing if you cannot get the agent or the reader intrigued in your book.
So how do you pick that sure-fire title? After all, doesn't it sometimes feel as if the mine has been pretty well worked out?
It seems as if all the great titles have been picked.
Secret : It's always felt that way. Ernest Hemingway complained of the same thing. Samuel Clemens a century before him said it as well.
There are some signposts to guide your way in your search for a great title for your book.
1.) THE BOOK YOUR FATHER DOESN'T WANT YOU TO READ!
A catchy title like that almost insures your book will be picked up. So catchy snags the interest of agent and reader alike.
But catchy isn't everything. Your title must accurately portray your book.
2.) SHORT shouts and penetrates like an arrow of prose.
Imagine walking down the book aisle and seeing the title, LUST. Come on, you know you're going to pick it up.
But again one word titles seldom catch the essence of your novel. You need more. But what and how? What do catchy and short have in common?
3.) MEMORABLE
The best titles are memorable. FOR WHOM THE BELL TOLLS. THE SUN ALSO RISES. BLOODSUCKING FIENDS. THE GRAPES OF WRATH. BLOOD AND CHOCOLATE.
If it reaches out and grabs you, it will do the same for the agent and reader, too.
4.) THE DELPHI EFFECT
We want to know the forbidden, the secret, the dangerous ... ever since Eve that has been our curse.
Go down the aisle and see the titles : THE SECRET TO SUCCESS. THE KEY TO SEX. THE FORBIDDEN PATHS.
Tell me you won't at least pick those books up.
5.) MAGIC
That element is elusive, slipping through your mental fingers like quicksilver. It is hard to put into words. But like with pornography, you will know it when you see it -- and so will the agent and the reader.
**
All right. We've deduced that the best titles are catchy, short, memorable, and evokes forbidden or secret knowledge. Plus they will possess that elusive element called MAGIC.
How to we come up with that catchy, short, evocative, and memorable title that sparkles with magic?
A.) THE BEST HUNTER GOES WHERE THE GAME IS.
Ernest Hemingway prowled the Bible and John Donne. He swore (actually quite a lot -- just joking) -- where was I? Oh, yes. He swore that the books of Proverbs and Ecclesiastes were rich mines for great titles yet to be chosen.
He believed that the Bible and great poems tapped the creative unconscious of readers. If you can't find something stirring in the book of Revelations, shame on you.
If we choose well, our book title will stir something deep and unconscious within the reader as he passes down the book aisle.
B.) LIFE AND TITLE CHOOSING ARE LIKE A POKER GAME.
Stay in there long enough and an ace will come your way. Time and patience. Those items you will need in spades.
Winning doesn't happen by accident in poker, life, or title choosing. You look at your hand, discard what you don't like, and draw new cards.
Keep at it long enough, and you will draw a Royal Flush.
C.) CAST YOUR MUSE UPON THE WATER.
Write down single words from the dialogue of your characters, then whole phrases. Then, write down place names, character names. List them by last then by first.
Write down pairings of opposites of names in your novel.
Write down the motto of your villain in the most eye-catching way. Did that spark the magic?
Get a book of quotations. Skim the pages. Look for something that jumps out at you. If it jumps out at you, it will jump out at an agent or reader.
D.) TRUST YOUR GUT.
Your instincts will jar you when you hit the right title. Savor it in your mind. Remember the best titles are short, catchy, memorable, and evocative of the forbidden.
Think THE LOVELY BONES. Wasn't that a great title? It caught your attention. It placed apparently opposite words together, didn't it? And it sounded slightly forbidding, too.
Now, go out and do some title-poker. And keep your eye out for the magic.
***
They are the things that get the reader in the bookstore to pick up the book.
But more important even than that,
they are the things that interest or push away a prospective agent.
The title is the key to getting your book read.
The quality or evocative poetry of your prose means nothing if you cannot get the agent or the reader intrigued in your book.
So how do you pick that sure-fire title? After all, doesn't it sometimes feel as if the mine has been pretty well worked out?
It seems as if all the great titles have been picked.
Secret : It's always felt that way. Ernest Hemingway complained of the same thing. Samuel Clemens a century before him said it as well.
There are some signposts to guide your way in your search for a great title for your book.
1.) THE BOOK YOUR FATHER DOESN'T WANT YOU TO READ!
A catchy title like that almost insures your book will be picked up. So catchy snags the interest of agent and reader alike.
But catchy isn't everything. Your title must accurately portray your book.
2.) SHORT shouts and penetrates like an arrow of prose.
Imagine walking down the book aisle and seeing the title, LUST. Come on, you know you're going to pick it up.
But again one word titles seldom catch the essence of your novel. You need more. But what and how? What do catchy and short have in common?
3.) MEMORABLE
The best titles are memorable. FOR WHOM THE BELL TOLLS. THE SUN ALSO RISES. BLOODSUCKING FIENDS. THE GRAPES OF WRATH. BLOOD AND CHOCOLATE.
If it reaches out and grabs you, it will do the same for the agent and reader, too.
4.) THE DELPHI EFFECT
We want to know the forbidden, the secret, the dangerous ... ever since Eve that has been our curse.
Go down the aisle and see the titles : THE SECRET TO SUCCESS. THE KEY TO SEX. THE FORBIDDEN PATHS.
Tell me you won't at least pick those books up.
5.) MAGIC
That element is elusive, slipping through your mental fingers like quicksilver. It is hard to put into words. But like with pornography, you will know it when you see it -- and so will the agent and the reader.
**
All right. We've deduced that the best titles are catchy, short, memorable, and evokes forbidden or secret knowledge. Plus they will possess that elusive element called MAGIC.
How to we come up with that catchy, short, evocative, and memorable title that sparkles with magic?
A.) THE BEST HUNTER GOES WHERE THE GAME IS.
Ernest Hemingway prowled the Bible and John Donne. He swore (actually quite a lot -- just joking) -- where was I? Oh, yes. He swore that the books of Proverbs and Ecclesiastes were rich mines for great titles yet to be chosen.
He believed that the Bible and great poems tapped the creative unconscious of readers. If you can't find something stirring in the book of Revelations, shame on you.
If we choose well, our book title will stir something deep and unconscious within the reader as he passes down the book aisle.
B.) LIFE AND TITLE CHOOSING ARE LIKE A POKER GAME.
Stay in there long enough and an ace will come your way. Time and patience. Those items you will need in spades.
Winning doesn't happen by accident in poker, life, or title choosing. You look at your hand, discard what you don't like, and draw new cards.
Keep at it long enough, and you will draw a Royal Flush.
C.) CAST YOUR MUSE UPON THE WATER.
Write down single words from the dialogue of your characters, then whole phrases. Then, write down place names, character names. List them by last then by first.
Write down pairings of opposites of names in your novel.
Write down the motto of your villain in the most eye-catching way. Did that spark the magic?
Get a book of quotations. Skim the pages. Look for something that jumps out at you. If it jumps out at you, it will jump out at an agent or reader.
D.) TRUST YOUR GUT.
Your instincts will jar you when you hit the right title. Savor it in your mind. Remember the best titles are short, catchy, memorable, and evocative of the forbidden.
Think THE LOVELY BONES. Wasn't that a great title? It caught your attention. It placed apparently opposite words together, didn't it? And it sounded slightly forbidding, too.
Now, go out and do some title-poker. And keep your eye out for the magic.
***
