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Showing posts with label VICTOR STANDISH. Show all posts
Showing posts with label VICTOR STANDISH. Show all posts

Wednesday, October 8, 2014

TIL DEATH DO US START


This work is in the Public Domain in that it was published in the United States 
between 1923 and 1977 and without a copyright notice.


{A living mummy stalks the beautiful woman he believes 
is the reincarnation of his lover.}


The League of Five loved THE MUMMY.  

Now, you might think it had many sequels.  It may surprise you to find it did not.

It was followed with a series of Mummy movies, staring, not Imhotep, as the Mummy but Kharis:

THE MUMMY'S HAND (supposedly occurring in 1940), THE MUMMY'S TOMB, THE MUMMY'S GHOST, and the last THE MUMMY'S CURSE.

In a strange storyline that stretches the decades, THE MUMMY'S TOMB supposedly happens in 1970 and the hero and his sister are killed by the arisen Kharis.

THE MUMMY'S GHOST also occurs in 1970 and evil things happen to the heroic folks of THE MUMMY'S TOMB.

For the last film, THE MUMMY'S CURSE, although it was filmed in 1944, the action zips to the year 1995! 

And the setting is Louisiana where we lived!!

I and the other League of Five members fell in love with the animated mummy, Ananka.




In a breathtaking sequence, the mummy of Ananka (Virginia Christine) rises from the swamp 

after being partially uncovered by a bulldozer during the excavation. 

She immerses herself in a pond and the mud is washed away, revealing an attractive young woman.

I decided to tell my own story of an animated mummy girl-child, the Princess Shert Nebti.

She is first introduced in THE THREE SPIRIT KNIGHT at the novel's end.

Princess Shert Nebti is the bane of Samuel McCord in THE STARS BLEED AT MIDNIGHT and RED LAND, BLACK DEATH (yet to be written.)

And following the Universal tradition of visiting Mummy Vengeance on the children of the hero, 

I have the undead Princess seek revenge on McCord's son, Victor Standish in CARNIVAL OF THE DAMNED.


So here is a Halloween SNEAK PEEK at Carnival of the Damned, I call:

TIL DEATH DO US START

The mummy wrappings were alive, writhing around my body caressing me tighter and tighter.  I struggled in the moving golden throne, but it did no good.  

Closer and closer it flowed like mist towards the waiting arms of Princess Shert Nebti.  

She was almost dressed in an ancient Egyptian outfit that she must have thrown into the washer on the Hot cycle.

Her moon-white face creased in fine lines from the mummy wrappings that had smothered her for centuries, 

she smiled a thing of nightmares as I flowed nearer those outstretched fingers.

The horizon around me was impossible.  I mean, I knew Carnies got around, but to the Nile?

I looked out across the flowing yellow Nile that is the mother of eons and dynasties.

Beyond it lurked the menacing sands of the Libyan Desert, rolling and burning and evil, murmuring ancient mysteries. 

The red sun sank low, bringing the relentless chill of Egyptian dusk.

And as it stood poised on the world’s rim like that ancient god of Heliopolis—Re-Harakhte, the Horizon-Sun— hey, I read in those libraries I hid in - 

I saw silhouetted against the velvet chasm of night the black outlines of the Pyramids of Gizeh—

those age-crusted tombs that were heavy with a thousand years when Tut-Ankh-Amen mounted his golden throne in distant Thebes.

Then I knew that I was done with civilized sanity, and that I was about to taste the deeper mysteries of primal Egypt—

the black Khem of Re and Amen, Isis and Osiris.

Sin-black mists swallowed me, and then their lips parted to reveal the Sphinx.   I struggled silently beneath the spell of those terrible unseeing eyes. 

On the vast stone breast I could faintly make out the emblem of Re-Harakhte, for whose image the Sphinx was mistaken in a late dynasty.

And though sand covered the tablet between the great paws, I recalled what Thutmosis IV inscribed on it, and the hellish dream he had when a prince. 

The dream that had driven him mad.

It was then that the smile of the Sphinx unsettled the hell out of me, and made me wonder about the legends of subterranean passages beneath the monstrous creature, 

leading down, down, to depths none might dare hint at—

depths connected with mysteries older than the buried Egypt modern Man excavates, 

and having an evil relation to the lingering of abnormal, animal-headed gods in the ancient unhuman pantheon.

And with the thought of those depths, I found myself there – 

with Princess Shert Nebti not a foot away from me in the swirling dark mists.

An ocean of glistening wet scarabs surrounded her, scuttled up over her, and tittered back down.  

I swallowed hard as I saw she was chewing a few who had scurried too close to those thin lips.

A dank breeze moaned around us in barely understandable words:

The subterranean nymph that dwells
’Mid sunless gems and glories hid—
The lady of the Pyramid!”

I forced a smirk, “Lousy poetry, Princess.”


She smiled with very sharp teeth.  “Just wait until you see our wedding night, Victor.”

I forced out the words.  "Looks like there's not another soul in miles."

"No, victim mine.  We are quite alone."

I laughed relieved, and she frowned to which I smiled wide, "I guess I never told you about my Death Scream, have I, Princess?"


Wednesday, September 17, 2014

WHAT MAKES A GOOD BOOK?




Or what makes a book good?

What is the criteria you use to gauge whether a book is worth the read?

Does a book have to be good to make a difference in someone’s life? Why or why not?

Victor Standish:

"For me, if it grabs my interest, makes me think, or helps me learn something then it is a good book."


Samuel McCord:

"A good book is a treasure trove of humanity so that no matter where you open a page and start reading, there is something new to be discovered."


Ada Byron, Lady Lovelace:

" I can more easily say why I don’t like certain books and to be honest, it is often the result of the author.

Of the most recent books that come to mind: one author I simply don’t like due to her style of writing and how her characters are always women who can’t take care of themselves."



So?  What do you think makes for a good book?

Action.  No action.  Romance.  No romance.  A bit of both?



I believe there are some universal facets that make a book good and a good book (the two are sometimes not the same.)


1.) AN INTERESTING VOICE

If you don't connect to the voice, then no matter how spell-binding the plot, you will drift away from the book ...

that is if you even buy the book at all.

Why?

Because the Voice, like the wind in a ship's sails, is what carries you through the book's journey. 

Like an aroma, it permeates each page, each word of the book.

The voice is what will make a page detailing even a train ride something memorable or witty or both.


2.) MEMORABLE CHARACTERS

The sparkling character of Tony Stark made IRON MAN.  Hannibal Lector dominates each page he is on.

The characters in the world of Odd Thomas by Dean Koontz kept me turning the pages to meet more of his one-of-a-kind neighbors.

Memorable characters bring the story to life.  They make you itch to get back to their banter when the world draws you away from their adventures.

In a way, they become friends you can come back to.  They let us see and feel the world in a new way, expanding our minds, enriching our lives.


3.) A VIVID SETTING

It doesn't have to be a fantasy setting.  No matter the genre, however, the world around the characters must feel "real." 

Great settings "ground" the story.  They highlight in the larger world, the tragic or comic elements in the smaller world of the lead characters.

Settings in good books become actual characters in the story either nourishing or preying, sometimes doing both.

After Katrina, New Orleans' streets killed the children/teens who roamed them.  Their souls went before their lives.

Take 1895 Cairo:

 the common man fared even worse.  Their servitude was to multiple masters: taxes, poverty, landed aristrocrats, British prejudice.  They were always in the crossfire of conflicting demands.

A well done setting breathes life into the story you are reading.


4.) A GRIPPING STORY

In essence, the plot has the reader asking, "What happens next?"

What is riveting to you may not be riveting to me. 

But the bottom line to the gripping plot must be PERSONAL and PRIMAL to the reader.

The neighbor of a police detective has her baby kidnapped.  The child is being returned to her one finger, one toe at a time.  No ransom demand.

Did the cleaning lady see something she shouldn't have?  Did she throw away the wrong thing?  Or is it about the detective's past, something to punish him?

Whatever the plot, the reader is invested in it and is staying up longer than she should to see what happens next.


What do you think is essential in a good book?


Inger Wiltz wrote me that my latest book was good -- which made my day.


"Reading helps me so much. I felt that The Stars Bleed at Midnight is the best of your books I have read to date.

So full of wisdom, less battles with creepy critters, and marvelous conversations and bantering back and forth between your characters.

I loved it and I'm looking forward to the continuation."

Why not go to my book's Amazon page 
and try the LOOK INSIDE feature
and see if it interests you?


Saturday, July 26, 2014

NEVER RUN FROM WOLVES.

"Never run from wolves. You'll only taste better."
- Victor Standish.

 
Victor Standish here.  Even stories with no end have a beginning.  Mine is no different. 
 
But for a LIMITED TIME you can get MY BEGINNING FREE!
 
And once having gotten my Kindle book, you can get the AUDIO BOOK for $1.99!
 
How cool is that? 
 
And along the way you will meet fascinating characters like Mesmer, the only cat who owns a French Quarter restaurant.
 
You know what's missing from TODAY'S FANTASY and SCIENCE FICTION?
 
OPTIMISM .... and ... FUN.
 
 
I mean I sleep in libraries, and all you see these days on the shelves are Dystopian ...
 
Is it just me but does Dystopian sound like a sick stomach?
 
And these Apocalyptic novels? 
 
The girl who is fated to save the world.  Give me a break.  Hitler would've made short work of Katniss.
 
In a world gone mad ...
 
The best we kids can do is try and survive the madness of the adults around us and find a way to thumb our noses and laugh.
 
And what is it with all the zombies?  I mean my time in Detroit gave me all I want from them!
 
Ah, Alice, you're a ghoul, not some mindless zombie. 
 
Would you stop looking at my fingers like that?  Alice!
 
See?  Harry Potter never had this kind of trouble with Hermione!
 
 

Monday, July 7, 2014

CRAP!


"The hardest thing in this world is to survive in it."
- Victor Standish

{Before I get into the meat of this post --

D.G. Hudson, my good friend, faces a severe family crisis and could use your prayers and positive healing thoughts. Thank you.}


Among the choices this month for AMAZON'S FIRST PROGRAM for PRIME members was 

ARTFUL by Peter David, a popular Sci Fi and Comic author.

Oliver Twist is one of the most well-known stories ever told,

 about a young orphan who has to survive the mean streets of London before ultimately being rescued by a kindly benefactor.

But it is his friend, the Artful Dodger, who has the far more intriguing tale,

filled with more adventure and excitement than anything boring Oliver could possibly get up to.

Throw in some vampires and a plot to overthrow the British monarchy,

and what you have is the thrilling account that Charles Dickens was too scared to share with the world.

From the brilliant mind of novelist and comic book veteran Peter David, Artful

is the dark, funny, and action-packed story of one of the most fascinating characters in literary history.

I read this synopsis and said aloud:

"Crap."

My Victor Standish is the Artful Dodger of the French Quarter with wit, spunk, and hidden resources.

Have you ever written a novel only to find another novel with a similar plot BY A MORE FAMOUS AUTHOR?

Yeah: Crap.

But then I thought:

The fact that novels have plots in common is of no more importance than two people both having blue eyes.

The plot is the WHY?  But plots are of various depths.

The deeper in the ocean you go, the bigger the fish become.

What constitutes the characters in a novel is what they reveal to us.

Characters in the plot connect us with the vastness of our own secret lives which is endlessly explorable.

Two similar plots by different authors can become like night and day by the actions and thoughts of the characters driving those plots.

Some characters's purposeless regard fall, like the sun and rain, on all alike --

vacant when there is nothing to reflect.

Other characters' natures strike fire upon their world according to the storms brewing inside them

and inside the souls of those about them. 

No two people see those protagonists quite alike.

So too, with authors.

No two authors will tell the same story in the same way. 

Their natures, craft, and outlook will shape a similar plot very differently.

Someone may tell a similar tale, but no one will tell it YOUR WAY.

And for those of you who have missed VICTOR STANDISH,
I am midway through his last adventure before entering New Orleans:

CARNIVAL OF THE DAMNED

 
I have to finish THE STARS BLEED AT MIDNIGHT first.
 
Not for the reason you might be thinking ... 
 
Victor's nemesis is the animated mummy, Princess Shert Nebti.
 

As in those classic Universal black & white Mummy movies,

the Princess is seeking revenge on the son of the man who thwarted her in THE STARS BLEED AT MIDNIGHT

The trick will be finding the time and the health to write them!



Monday, November 11, 2013

THE ANGEL-FISH CLUB OF MARK TWAIN_For Mr. Fowler's 8th grade class_

Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910), better known by his pen name Mark Twain.  

He wrote The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1885), the latter often called "the Great American Novel."

Twain passed through a period of deep depression that began in 1896 when his daughter Susy died of meningitis

Twain formed a club in 1906 for girls he viewed as surrogate granddaughters, the Angel Fish and Aquarium Club.

The dozen or so members ranged in age from 10 to 16. Twain exchanged letters with his "Angel Fish" girls and invited them to concerts and the theatre and to play games.

Twain wrote in 1908 that the club was his "life's chief delight."

 In 1907 Twain met Dorothy Quick (then aged 11) on a transatlantic crossing, beginning "a friendship that was to last until the very day of his death".


 

Why, hello, Missy.  What are you doing lurking in the shadows of this haunted French Quarter club?

What?  Some bully forced you in here to get chewed up?  Alice, my dear, would you go out and see if that bully has any taste at all ... only a finger or two.  Now, don't pout, Alice.  You have to watch that figure.

Come, Missy, sit at my table.  I won't bite.  That's Alice's quaint behavior. 

I hate sitting at a table alone.  What is a table without a child to brighten it?  That's better.  Here, let me stick this angel fish pin on your pretty blouse.


Could you ask me a question or two for your report?  Why, surely, you can.


What is this pin for?


Well, I suppose we are all collectors...

As for me, I collect pets: young girls -- don't giggle there, Missy --

girls from ten to sixteen years old; girls who are pretty and sweet and naive and innocent -- dear young creatures to whom life is a perfect joy and to whom it has brought no wounds, no bitterness, and few tears.

Their parents were always near so they were safe from nasty gosssip.



Is that all, you ask.



I lost my dear daughter, Susy, in 1896.  It near ended me.  After my wife's death on June 5, 1904, I experienced a terrible storm of unrest and loneliness.

Clara and Jean. my remaining daughters, were busy with their studies and their labors    

and I was washing about on a forlorn sea of banquets and speechmaking in high and holy causes...

I had reached the grandpapa stage of life; and what I lacked and what I needed was grandchildren.



Why, yes, Missy, I guess you are my newest grandchild.  Now, that laugh was deserved.  I'll call you my latest angel-fish.


What is an angel-fish you ask?


 The Bermudian angel-fish, with its splendid blue decorations, is easily the most beautiful fish that swims ...

I call my collection of young grandgirls The Aquarium.  The club's badge is the angel-fish's splendors reproduced in enamels and mounted for service as a lapel-pin --

 at least that is where the girls wear it. I get these little pins in Bermuda; they are made in Norway.


Have I ever been to Norway?


Why, Missy, the closest I got was the Black Forest in Germany.



Did I ever meet a ghost before I became one?


Missy, I have ransacked the Sandwich Islands until I could not walk for the saddle sores.  I have surf-bathed til I nearly drowned.  I have ridden by moonlight through a ghostly plain of sand strewn with human bones and contested with the shades of slain warriors there. 

 

What are the Sandwich Islands?



Why, you folks call them Hawaii now I reckon. 

For me its balmy airs are always blowing, its summer seas flashing in the sun; the pulsing of its surf is in my ear; I can see its garlanded crags, its leaping cascades, its plumy palms drowsing by the shore,

its remote summits floating like islands above the cloud-rack; I can feel the spirit of its woody solitudes, I hear the plashing of the brooks; in my nostrils still lives the breath of flowers that perished 160 years ago.


Did my stories have wit or humor?


Why, isn't that an insightful little question with big implications. 

Wit and Humor—if any difference it is in duration—lightning and electric light. Same material, apparently; but one is vivid, brief, and can do damage—the other fools along and enjoys elaboration.

Laughter without a tinge of philosophy is but a sneeze of humor. Genuine humor is replete with wisdom.

Humor is the great thing, the saving thing, after all. The minute it crops up all our hardnesses yield, all our irritations and resentments slip away, and a sunny spirit takes their place.



Who is that handsome young man approaching us?


Why, that is Victor Standish, Alice's boyfriend.  Ah, he just winked at you.  Uh, oh, Alice is storming our way.

Scoot!  I will not have a granddaughter eaten at my table.

 Why, that gal really knows how to run.  Aw, she left her notes.

I wonder who Michael Jackson is?



 
IRENE GERKEN
(Member of Angel-Fish Club)
circa 1896 - May 19, 1969

Gerken and Clemens in Bermuda
This photo of Irene Gerken and Clemens appeared in THE NEW YORK TIMES, April 19, 1908.
Gerken was not identified in the
TIMES photo.




Monday, October 28, 2013

I SAVED YOU TO PLAY WITH


http://laussieswritingblog.blogspot.com/

"Alone.  That was the word with teeth.  The most awful word there was.  Hell was just another way of saying it."
 - Victor Standish

          My Twelfth year was a bit like Twelfth Night, the eve that church-goers call the Eve of the Epiphany … a fancy adult word that describes what the donkey felt when the two-by-four smacked him.




The twilight wind moaned from the northwest, and entered the woods and bared the golden branches, and danced over the dying day, and led a swirl of scarlet and gold leaves.  Had they dreaded this day?
 
If so they danced now that it had come.  And away with a raspy ballet of spiraling leaves, high in the dim light of the Harvest Moon went wind and leaves together.

           None of the trudging people beside me noticed the dance of the dying leaves … or me, for that matter.  I studied the troubled eyes of those who could not see what I saw.  After a bit of thinking, I decided I had been wrong about them.  They were not alike, but different one from another, because they held different dreams … or the corpses of them in those sad eyes.

        If I managed to live long enough, would my eyes deaden into the black pools they were?  For me it was still very difficult to draw away from the call of my dream.  It was like a warm fire, or a hard-earned sleep, or like a haunting song from one of those sirens Ulysses dared to let himself hear.  Yet there was a stillness all about it, a stillness full of Christmas lights … my dream of home.  Not a place but a person who would want me just for me not for what they could get out of me.

          Typical of my luck, my Greyhound bus had broken down in the most remote part of the state of New York.  But at the time, anywhere out of Cleveland was all right by me.  It had been a long hike to the only house in the diseased landscape.  I’m not being colorful here.  The whole countryside looked like it had been passed over by one of those famous plagues that had finally made Pharaoh toss the children of Joseph out of the country. 

          I always identified with those wanderers.  Having your mother abandon you in the roughest cities in the country, then pick you up when her latest bad boy love had ditched her will do that to a kid.  At least that was what I thought was happening at the time. 




 

          I was wrong, of course.  So sue me.  Parents don’t make it a habit of explaining the screw-up’s of their lives to their kids.  We just have to play catch-up, try to make sense of the madness the best way we can, and deal with the fallout while keeping our heads low.  Childhood, despite what adults keep saying, is no picnic.  Mine sure as hell wasn’t.  But on the plus side, it wasn’t boring.

           I made my way carefully in the deepening dark.  A twelve year old kid was very small, and this night seemed very large and full of hidden dangers.  I have always known I was an outsider, a stranger no matter where I roamed among those who were still men.  There are horrors beyond life's edge that most don’t suspect, and once in a while a wandering stray calls them just within range.  Yeah, all too often I was that stray.

           I learned to walk on cat-feet by living on the streets of too many hard cities for six years … since I was seven.  I knew why dogs howl at the dark and why cats prick up their ears after midnight.  I shuddered, for all too often I heard the beating of black wings and the scratching of half-seen shapes on the pavement hidden by shadow.

          We walked into an uneven clearing, whose floor was veined with gnarled roots.  A huge mansion towered over us like the cast-aside skull of some forgotten and damned god, its twin blank windows looming over us as if they were the eyes of a lost soul searching to see if we would feed its hunger.  I smiled of salt.  I had gone hungry for so long that a meal of my scrawny body wouldn’t fill a ghost.

          The owner of the place met us at the door of his broken-down mansion as if he had been expecting us.  I didn’t like the look of him as he sat smiling in his weird-shaped wheelchair.  I couldn’t quite make out his face in the dim light.  All I saw was that big smile as if he was the big bad wolf, and we were all Little Red Riding Hoods.

          And he smelled funny. 

           Not “Ha-Ha” funny.  Damn odd funny.

          The six other stranded bus passengers hugged the heat of the room’s fireplace. 

 
But not me.  Something struck me strange about the dark room with all its dusty mounted heads of bears and deer on the wall.

          It should have been roasting hot in this place.  And here I was still shivering.

           Of course, I had eased into the far corner.  Even the shadows around me seemed cold and unfriendly.  I might have only been twelve years old, nearly thirteen actually, but I hadn’t survived all by myself for years on the mean streets of ten cities by being trusting.

          So there I stood.

           No one's life should be rooted in fear. You take one look at a new baby, and you just know deep down we are born for wonder, for joy, for hope, for love, to marvel at the mystery of life, to be awed by the beauty of the world, to hunt for truth and meaning, to pick up a scrap or two of wisdom here and there, and by our treatment of others to brighten the corner where we are.  But life on the streets beat the truth into me: the predators out there don’t give a damn for your dreams … or you for that matter. 

          Our host at the far end of the dining table called out to me.  “Come, boy, warm yourself by my fire.  It was a long walk from your broken down bus to my estate.”

          “Name’s Victor Standish, sir.  And I’m just fine right here.”
 


 

          I strained to make out his features, but the shadows, that didn’t seem to be cast by anything, swam with a life of their own around his face.  All of this had gone from strange to spooky.  I smiled bitterly.  Story of my life.

          “Where’s our driver?” I asked.

          The old man cackled, “He asked me where the phone was.  He seemed in a hurry to contact his superiors.”

          I snorted, “He had that many quarters?”

          “Show some respect to your elders, boy!”

          “Respect is earned.  And the name’s Victor Standish.”

          He shifted in his wheelchair angrily.  I went even colder.  His body squished when he moved.  And that blasted wheelchair blocked the only exit out of here.

          “Tonight is a rare night … Standish.”

          His words were spoken oddly … as if human speech itself was a thing foreign to him.  My hands went to my pockets.  I fingered the ice cold ball bearings I kept in both pockets.  He smiled wider, and I saw his teeth were pointed.

          My fingers closed around two ball bearings as he laughed.

          “It is Samhain, summer’s end, Standish.  The Celtic New Year began this nightfall.”

          “Funny.  You don’t look like a Druid.”

          His eyes narrowed, but he kept on in that strange way of his.  “In your ancient Welsh tradition, this evening was called Three Spirit Night, when all manner of beings could wander between realities.”

          I went much colder at his use of “your,” as if he did not belong to the human race.  He wheeled his chair closer to me by only inches, but he still felt much, much too close.

          He wheezed low, “You really should have sat with your fellow passengers.  It was over so quickly for them.”

          I flicked my eyes to them.

          Oh, crap.  Some were slumped on the floor.  Some were sprawled across the table.  Some sat bonelessly in their chairs.

          Their eyes were … melted, flowing down their withered cheeks like candle wax or mucus.  And their shadows were gone … as if they had been eaten by the fire.

          “You hold in your fear well … human.”

          The fingers of both hands picked the largest ball bearings they could find. 

          I glared at this … thing.  “You killed the bus driver, too?”

          “Oh, yes, quite dead is he.  You I kept to play with.”

          “It’s been a long day, sir.  I’m all played out.”

          “I think I’ll eat your sharp tongue last.”

          There was nothing in that for me but pain, so I just asked, “H-How did you get here?”

          He laughed wetly, “You think me some space creature?”

          He turned for a moment to stare into the fire with eyes that seemed to be looking at things I was just as happy not seeing.

          “In a way, I am from beyond the stars.”

          He turned back to me, and the shadows were cast back by the fire’s glow.  For just a moment, I caught a glimpse of a wet, scaled face, more insect than fish.  His eyes were rheumy and totally empty of anything remotely human or merciful.  Then, the shadows happily returned to mask that nightmare face again.

          I fought back a shiver.  He saw me.  He chuckled in a squishy gurgle.

          “It began with the meteorite.  That black seed of my birth landed in the far end of this estate on the night of Samhain in 1843.  Men could not approach the site for weeks because of the intense heat.”

          Again, he squished that inhuman laughter.  “And by then, the trees and the wild life were taking on strange shapes and smells.”

          He wheeled closer still.  “Men of your so-called science finally came to investigate.  Those who managed to survive their sudden illness to race home did so only to die in convulsions in their beds.”

          Ever closer he wheeled.  And I saw that tentacles, not fingers, grasped the wheels.  “As fate would have it, the lovely wife of this estate’s owner was pregnant at the time.”

          The wheels squeaked as he rolled right up to me.  “She did not survive my birth.  I emerged quite hungry you see.”

          He squished a growl, “As I am hungry now!”

          I tore both hands out of my pockets, shooting two ball bearings into his open, drooling mouth.  “Eat this!”

          He choked in wet husks.  I darted around his chair.  Crap.  Three tentacles shot from his middle right at me.  Another kid would have died then.

          But I was Victor Standish.  I knew parkour.  I did a full Arabian cartwheel right over those snaking things.  As I flew over him, I saw razored teeth in a second snarling mouth in his damn stomach.  I sent two more ball bearings into that one as well.

          He squealed in pain.  Better him than me.  I landed behind his wheelchair with a light bounce.  I grasped the handles of the wheelchair with both shaking hands.  I shoved the nightmare creature with all my strength along the wooden floor.  You don’t get expert in parkour without building up a lot of chest and arm muscles.

          I ducked those middle tentacles as I ran.  What did it take to kill this thing?

          I whizzed past the dead passengers and shoved this squirming mockery of a man into the blazing fire.  His screams were … something I still have nightmares about.  But I’m still alive to have them.

         I turned to run when the damn thing started crawling out of the fireplace though he was going up as if he were made of dry driftwood.  I tore the poker from its iron sheath and smacked him three times hard on what was left of his head.  He slumped half out of the fireplace to lie still even though he was burning like candle wax.

          He smelled awful.  I ran out of the room, which was going up in flames all around me.  I was scared down to the marrow of my bones, but I keep telling myself that as long as I have laughter, I’m not without hope.  So I managed to yell over my shoulder.

          “By the way, Squishy, Trick or Treat!”                       

          If I had only known that the trick was on me, and the punch line would come for my soul in the haunted French Quarter of New Orleans.  Sometimes we laugh at the very time when we should be crying.  And we wish for all the wrong things.