At Meilori's, that is never too far from where dreams have died,
I was playing chess with the ghost of William Faulkner.
The fog gathered near.
The jazz murmured low in the shadows.
The torches beckoned to all who wander lost in the dark of their soul.
I must have spoken that thought aloud, for Faulkner said low, "How do you know they are so lost?"
I smiled sadly, "On such a night, if they could be home, they'd already be there."
He returned my smile. "Just so. Just so."
I asked, "Why weren't you at the poker game last night?"
Faulkner snorted, "Hemingway gets too morose about November's writing contest."
"So you approve of NaNo?"
"Goodness, no! It is a horrid waste of 30 precious days that will never come again.
The dead know all too well how fleeting life can be."
Faulkner finished with me, " ... you can only spend it once."
He sighed,
"But have those contest participants bought anything of lasting value with those 30 coins?"
"So you agree with Hemingway?"
"No. He lived a full life and should know Mankind has always looked for the secret elixir, the hidden keys, the lost path to success."
Faulkner smiled bitterly.
"Not they exist, mind you, but we want them to. We live in denial of the simple fact
that the true path to success, whether in writing or in any other endeavor,
is paved with courage, imagination, and persistence."
He blew pipe smoke into the shadows. "And it is a lonely road."
I sighed, "For me it has been."
Faulkner murmured,
"So it is understandable that so many writers think they have found the key to becoming writers
in this joint 'group hug' as Hemingway so colorfully and callously calls this contest."
He frowned as I moved my knight in a move he had not foreseen.
"But the truth is as elusive as smoke in the night. Sometimes you can smell it in the air, but it slips through your fingers."
Faulkner took my knight in a move that this time I hadn't seen coming and smiled,
"But I can tell you and your electronic friends the simple secret to writing success."
"It's not nice to tease a struggling writer."
"Oh, I am quite sincere. The simple secret is this:
Write of an old thing in a new way."
In response to my frown, Faulkner said,
"The oldest lodestone to literature is the human heart in conflict with itself.
From Shakespeare to Tennessee Williams that lodestone has been the compass that led the way to riveting stories."
He tapped the chessboard with the stem of his pipe.
"Only that is worth writing about, worth the agony, and the sweat of wresting something from nothing."
Faulkner leaned forward, stabbing my chest with the pipe stem.
"Leave no room in your writing for anything but the old truths of the heart,
the old universal truths lacking which any story is ephemeral and doomed -
love and honor and pity and pride and compassion and sacrifice.
Until you do so, you labor under a curse.
You write not of love but of lust,
of defeats in which no one loses anything of value,
of victories without hope and,
worst of all, without pity or compassion.
Your griefs grieve on no universal bones, leaving no scars.
You write not of the heart but of the sex glands."
He wrinkled his nose as if to sneeze.
"When I was in Hollywood, Samuel Goldwyn would point out the latest hit to me and my fellow script writers
and say, "I want the same thing ... only different."
I smiled,
"No stories of young boys or girls fated to save the world, no wallflower girl courted by supernatural heart-throbs, no ...."
Faulkner said,
"Dare to save your character's world in a way not seen before and with imagination not cookie-cutter formulas.'
I moved my last knight, positioning it to take his King. "Checkmate."
He tipped over his King and arched an eyebrow, "Only a callow soul takes advantage of the dead."
The ghost of Mark Twain pulled up a seat and crowed, "Why I do that all the time!"
Faulkner snorted, "I rest my case."
I like the posts and the round table discussions at Meilori's, no matter the subject. Some will NaNo, some will not, but it's a choice. Depends on who your role models are and what you hope to achieve. . .
ReplyDeleteYes, some will NaNo and enjoy the experience. Most will over-tax their minds and endurance so much that the joy of writing leaves them -- much like many parents punish their children by making them smoke a whole pack of cigarettes one after another to burn the impulse out of them.
DeleteI think it is the group experience feeling to the event. I hope they achieve what they want with the event. :-)
Hi Roland ... I can see that NaNo would help many get started and get them writing for their 30 coin days ... but I'm sure the best value could come once one has established a formula and can write within that. It's getting going and having the determination to keep writing and producing books, articles, essays, letters et al ... cheers Hilary
ReplyDeleteIn this micro-wave age, everything has to be accomplished fast. But quality takes time, and few there are who wish to invest time these days,
DeleteJump start, huh? A good analogy. Have a great week. Always good to see you here. :-)
I think it depends on the writer and what he hopes to get from a month of writing. If deadlines motivate, then it's a heck of a motivator. (Especially for lazy writers like me.)
ReplyDeleteI know you like it, Alex. Hemingway, as a foreign correspondent, was not only on a deadline, but he had to write concisely, using few words to make maximum impact as his newspaper had to pay 25 cents a word for the telegram!! He didn't have the luxury of flinging words down and then editing later. He edited on the run which is why his ghost is so incensed at NaNo. :-)
DeleteAm I getting into my characters or what? LOL
I can't say how important and meaningful this one sentence you wrote Roland:
ReplyDelete"Write of an old thing in a new way." (clapping)...! ;-D
You made my day with this comment. Thanks! Have a great new week.
Delete