FREE KINDLE FOR PC

FREE KINDLE FOR PC
So you can read my books

Monday, July 31, 2017

HOOK YOUR READER! IWSG post





The news.

 It has none of the characteristics that make something worthwhile.

It's not fun, it causes anxiety, it gives you a warped sense of reality, 

and people who watch it are rarely going to do anything with the information they get.

Yet, watch it they do.  Why?


If we want our books to sell, 
we need to be able to answer 
that question.


The appeal of many books, ideas and actions boils down to six key factors –

1.)  A person-centered subject matter
2.)  The presence of patterns
3.)  The odd incongruity
4.)  A topic that pushes the buttons of hope or fear
5.)  Stimuli that engage our body or senses 
6.)  Thoughts that play to our psychological biases


 Rhyming idioms are catchy, attractive and appear truthful 

because they are easy to mentally process and their repetitive sound appeals to our love of patterns.

Idioms that at first glance appear contradictory stimulate our keen eye for incongruity.


Fiction is so engrossing because we are hard-wired to detect useful information 

and while part of our brain knows that what we are reading is make-believe,

 another part thinks the characters, and events, are real.

Some aspect of our poor susceptible minds really thinks Hannibal Lector is out there. 

Somewhere.


Have you ever left a movie feeling vaguely dissatisfied?  

You didn’t like the film but don’t know exactly why?

 Chances are, the movie failed in terms of story structure. 

 Storytelling is so ingrained in us that it sets up certain expectations for how a story should unfold.  

When those expectations are defied, it leaves us vaguely unsettled.


A story is a character in pursuit of a goal in the face of an obstacle or challenge.

How the character resolves (or fails to resolve) the challenge creates the drama and human interest that keeps us reading or listening.


HOW TO HOOK THE READER ... 


1.) GET INTO YOUR PROTAGONIST'S HEAD RIGHT OFF AND STAY THERE.


2.) NO HEAD HOPPING

Readers will only know how the other characters are feeling through what your protagonist

 (POV character) 

notices and perceives—their words, actions, facial expressions, tone of voice, body language, etc.


3.) LEARN FROM THE DOCTOR DELIVERING A BABY

Slap your MC right out of the gate.   

It doesn’t need to be the main problem of the story,

but put something on the first or second page that challenges him and makes the readers start worrying about him.

 The difficulty or dilemma can be internal, external, or interpersonal.


4.) GRAVITY TAKES NO BREAKS; IT ONLY GIVES THEM 

Introduce some opposition in the first few pages.  

Bring on a rival, an enemy, or a nasty villain fairly early to get things moving fast and make your readers start biting their nails.


5.) SURPRISE!

 Surprise gets our attention by defying our expectations. 

We’re wired to immediately start figuring out what’s actually going on, 

the better to gauge whether the smack we're about to receive will be on the lips or aside the head.


6.) SQUIRM!

 Science has proven that the brain uses emotion, rather than reason, to gauge what matters to us.

So it’s not surprising that when it comes to story, if we’re not feeling, we’re not reading.

 In a compelling story the reader slips into the protagonist’s skin and becomes her/him –

feeling what she feels, wanting what she wants, fearing what she fears.


7.) HEMINGWAY YOUR WORDS

Over 11,000,000 pieces of information dive-bomb our five senses every second. 

Don't add to the reader's input unless it is necessary. Bore the reader; lose the reader.


8.)  NEVER BLUR THE FOCUS

We access the universal only through the very specific.  The story is in the specifics.

"Dario had a hard day."

There are all sorts of hard days. Is Dario a door-to-door salesman or a Roman gladiator?

Use the" Eyes-Wide-Shut test."

If you shut your eyes, can you see it? If not, then neither can the reader.


9.) MAKE THEM LAUGH

Life is hard enough for your reader.  Give them a chuckle or two in each chapter even if your tale is a dark one.

It is always darker after a light has died than if it had never existed at all. 


10.) CARE ABOUT YOUR STORY

If you care, it will carry over into your words.

Charlaine Harris stopped caring about Sookie 

and just continued to write the novels to keep her contract.

It showed.

However she redeemed herself with her Midnight, Texas novels.


Let's hope her enthusiasm for those characters is not tarnished by the NBC series based on them.
 

For laughter and reflection:

8 comments:

  1. Spot on, Roland. Yep. Readers react to emotion and also can twig when our structure falls down. Every scene needs that structure and that's a good thing to master. Hopefully, it'll make me a faster writer!

    I've been taking a blog break. Hope nothing too auspicious has happened in the last coupla months!

    Denise :-)

    ReplyDelete
    Replies
    1. I signed up for Aug 14th WEP: REUNIONS. Now, to think of something worthy of you and my other friends. :-)

      Delete
  2. Love the image/metaphor of the doctor slapping the baby out of the gate. That will stick with me for a while. Lots of great advice and worth jotting down for those moments when we don't know what to put down on paper next.

    ReplyDelete
    Replies
    1. That's nice of you to say. Rare blood runs have been "driving" me crazy lately!! No free time at all. :-(

      Delete