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Showing posts with label UNDER A VOODOO MOON. Show all posts
Showing posts with label UNDER A VOODOO MOON. Show all posts

Monday, April 23, 2012

U is for UNDER A VOODOO MOON_Last Dance At Meilori's

http://www.amazon.com/THE-LEGEND-VICTOR-STANDISH-ebook/dp/B0064CKPJ4/ref=sr_1_5?ie=UTF8&qid=1334626705&sr=8-5


(From UNDER A VOODOO MOON) :


In his room at Meilori’s, Victor Standish has been told that three dooms are descending upon New Orleans. His friends are shaken. Victor decides if he is to die, he’ll do it with style …


Sfumato with this! I had to change the mood to this party. The tune had changed down below. I recognized the artist. Jim Stubblefield. He was playing the gypsy tune, “La Selva Negra.”

It was just starting up with all the sound effects and everything.

I twirled Alice around with a flourish. “If it’s the end of the world, then let’s go out doing a danse macabre!”

Alice sputtered, “A what?”

“Well, a salsa actually.”

She slapped her sides with her arms. “I cannot do any of these modern dances, you dunce!”

“Sure you can.”

“I cannot!”

“Since you merged with me in your mist form, some of me rubbed off on you.”

She pressed her lips together like a fired-up librarian. “I suddenly feel like taking a bath in Listerine.”

I laughed, “After the dance. I lived for awhile in the back of a dance studio. I learned enough to make a few dollars teaching dance steps. So your body knows those steps, too.”

Margaret rolled her eyes. “What a scamp of a life you would have us believe you led. Is there anything you didn’t do? ”

I smiled wide. “I never made my bed. ‘Course I didn’t have one! But that’s just silly details.”

I grabbed a startled Sam. “C’mon! You, too.”

“Whoa, son! Who do you think I’ll dance with?”

I winked at Ada Byron. “You get the honor of dancing with Lady Lovelace.”

Margaret Fuller glowered at me. “And just who would you suggest I dance with, Marshal Hickok?”

“Great idea!, I laughed. “Glad you came up with it!”

She snarled through clenched teeth, “You street rat, I didn’t come up with it!”

“Sure you did,” giggled Alice. “Oh, do dance with the poor lovesick Marshal. He took that wound for you. The very least ….”

Ada chuckled at the outrage and cornered look in her lover’s eyes. “Oh, do that little for the poor man.”

Margaret gave me a look that I actually felt. “I will remember this, Standish.”

Magda had a faraway look to her violet eyes. “It has been too long since Renny and I danced. Yes! I shall tell him now!”

And POOF! She was gone. I shook my head. Last month all this would have struck me strange. Ah … it still did actually.

I hurried Sam and Alice down the hallway before Jim Stubblefield finished his tune. Ada bubbled in laughter beside a glowering Margaret. We reached the head of the stairs in no time at all. A beaming Magda and a ruffled Renfield stood waiting for us. I guess the Padre didn’t care for teleporting at the drop of a collection plate.

He glared at me. “I take it this is your hair-brained idea?”

I nodded. “Yup. There are folks down there who want me dead. I plan to dance on my grave right in front of their eyes.”

I winked at Alice. “And make them jealous over my dance partner.”

Renfield shook his head and laughed, “You and your stunts, Victor. Sure, but you’re going to be making another tale to add to the collection told of you.”

“So as long as they get my dance partner’s name right I don’t care.”


CHAPTER TWENTY

STRANGE, I’VE SEEN YOUR FACE BEFORE.


I stood at the top of the velvet staircase, looked down, and smiled. Jim Stubblefield was still playing “La Salva Negra.” He and his band were really putting their heart and soul into it … plus an avalanche of sound effects. I smiled wide. Whoever those other Two Fates were, me and Alice were going to show them some steps.

Sam looked over to me and winked, “Race you to the bottom!”

Ada gave a surprised but delighted squeal as Sam swept her up into his arms and blurred down the stairs. I’m not being poetic. He and Ada actually blurred Sam was moving so fast.

“Oh, Captain,” gasped Ada. “You are quite taking my breath away. And I thought never to say that to a man again!”

Alice smiled mean. “Oh, so it is to be that way, is it?”

I yelped (in a manly fashion, of course) as she picked me up like I was balsa wood. I kept forgetting how much stronger than me she was. The lower half of her did some blurring of its own as she became mist and flowed so quickly down the stairs the world became all foggy.

It was a tie as she and Sam made it to the dance floor at the same time. Sam was grinning from ear to ear. That soft-hearted wolf. He let her catch up to him on purpose. I smiled wide myself. I had never seen him so happy.

Magda was suddenly beside me with a re-ruffled Renfield. “It is you, you scamp. You and your gh….”

I saw Alice begin to stiffen in preparation for the insult. Renfield raised an eyebrow. Magda sucked in a deep breath and finished ….

“… your Gothic love.”

She spun Renfield in an intricate Salsa twirl. “And for the record, scamp, I can teleport. I let you and Sam win.”

Alice looked at Magda’s dancing body and paled. Her voice became like that of a little girl’s. "I cannot move like that!"

I laughed, slowly swaying up to her, lightly pressing my lower body against hers. "Of course, you can."

“I can eat the lips from your face if you do that move again.”

She suddenly giggled, “Oh, do look at poor Margaret’s face.”

I turned to the beat of the music. Margaret looked like she was swallowing a whole can of sardines. She approached the table of the glum Hickok, wrenching the surprised Marshal to his feet.

“This is never to be spoken of again, Hickok. Understand me?”

“N-No. But I surely am not gonna argue with you, pretty lady.”

Margaret looked at him with a Medusa glare. “You do know how to Salsa do you not?”

“No, ma’am. But I am the best faker you will ever meet.”

Margaret snorted, “Of that I have no doubt. And watch those hands!”

Alice giggled at the sight of them and the exchange of words like crossed sabers. She was so caught up in her amusement she wasn’t realizing how expertly she was doing the Salsa.

Son of a ....

Sam glanced hard my way. Son of a gun. My guess had been right. I felt just like Elu. At the thought of him, I looked at the closest mirror. He was glaring at the front door to Meilori’s. Uh, oh. Trouble was coming.

Alice caught my look so I caught her up in fancy stagger step of my own before the smile left those pretty lips. Her eyes widened, but she giggled as her feet moved with a life of their own to match me step for step.

Stubblefield started to strum a wild gypsy riff as I smiled, "The Salsa is several dances melted into one. The guaracha --"

I gyrated my hips in a way that made Alice’s neon blue eyes get even wider. "The Cuban Bolero ---"

I swirled around her, tapping my, ah, bottom against hers. "And the rural Rumba, which is really a dance of exhibition, not of participation."

Alice stopped dancing to glower, "I do not know, Mr. Standish, your gludius maximus seems to be participating with mine just fine. Too fine!”

I quickly swept her up beside a similarly dancing Renfield and a glowing Magda. I swirled Alice out, then swept her back into my arms. For the first ever, her face was flushed. I smiled wider.

"The steps are quite simple, Alice. Here, see? The rhythm is set in counts of four of equal time. Look, the basic footwork is even more simple. Three steps taken on the first three beats of a measure, with a hold ---"

"A what?," she frowned.

I moved in, kissing her lightly.

She nipped at my lips half-heartedly as I pulled away. "A hold, silly rabbit. No step on the fourth beat."

"Oh, certainly. I knew that."

I raised a skeptical eyebrow, sweeping her closer. She laughed throaty, moving her hips in a way that made me want Captain Sam to turn away.

"Of course, you did," I said out of a throat grown suddenly thick.

Her eyes grew heavy somehow, as her hips began to sway hypnotically. Alice moved closer and closer to me. She reached out to my hips, grabbed them, starting to move them in time to her own.

There was something else about Alice I kept forgetting. She was a woman in a teen’s body. And I had just awakened that woman. I might just have outsmarted myself this time. Mother kept saying there was one thing I didn’t know : enough.

"Let me help," she breathed. "That is right. Move, flow with the music."

"Wh-What music?"

"Can you not feel the pounding of the blood in your ears? Listen. Listen as I rub my hips against yours. Now? Can you not hear the music I am hearing?"

That was the trouble. I could. I could also see Magda’s and Captain Sam’s outraged eyes. And worse, the music was gone. I couldn’t hear the guitars anymore.

Stubblefield was gone. Grace Jones was in his place. Meilori’s was like that. The stages would become misty, exchanging one artist for another. I never got used to it.

Grace was singing, “Strange, I’ve Seen Your Face Before” to the tune of Libertango. Alice and I flowed to the new melody, the new steps, as if we were one. Two new dancers were beside us. I went cold. Ghosts. They were ghosts. And not just any ghosts.

Captain Jean Lafitte and the little step daughter of New Orleans’ Jill the Ripper, Madame Delphine LaLaurie.

They said as one, “She is coming.”
***


Wednesday, April 18, 2012

P is for PARKOUR_The Cost To Free Running



http://www.amazon.com/THE-LEGEND-VICTOR-STANDISH-ebook/dp/B0064CKPJ4

Parkour.

The term was coined by Hubert Kounde.

It comes from "parcours du combattant", the classic obstacle course created by the famous naval officer, George Hebert.

The student of parkour is called a "traceur", most likely spun from Parisian slang "tracer" which means "to hurry" or "to move quickly".

In proper French, traceur is an adjective qualifying something that leaves a trace or a trail behind it.

And in UNDER A VOODOO MOON, Victor Standish is leaving a trail of evolved raptors following him as he leads them in a furious display of Parkour.

He meets the ghost of Pere Antoine who reminds him that he must one day pay the cost to free running:

The ghost of Pere Antoine lunged, grabbing me by the scruff of my neck and the back of my belt. “Victor, you cannot come out of this alive. You knew that when you sent your Alice away.”

He spun, swinging me around and around in the humid night air. “Parkour is more than jumping, young man. It is a way of living life, of spending it in the cause of something bigger than you. It is time you live … and die the cost of ‘free’ running!”

With those last words, Pere Antoine hurled me up high into the night. It seemed as if the stars came down to welcome me.

There was a rainbow rift right in front of my body. I passed through it, the ghost-scent of apricots coming to me. And I knew. I knew.

I was never going to see Alice again … or hear her odd British accent.

I loved the way she talked. When she talked to me, there was a living tenderness in her voice. She just let it flow from inside her … as if she owned all the words in the world, and she loved me enough to make them dance for me.

Suddenly, the world re-focused, and I thumped precariously on the ledge of a tall French Quarter building at least thirty feet high if it was an inch. My head spinning, I took in my surroundings.

There!

Not forty feet from this building was Meilori’s.

It might have been on the craters of the moon for all the good it was going to do me. Dozens of raptors were running towards me. Coming at me from both ends of the ledge.

Scrambling right at me from the roof in a horde of scales and fangs. Racing at me from across the near-by roofs. No port of safety.

Except.

In the empty cement courtyard thirty feet below.

I had seen the Sensei make a leap like this and live. But that was onto grass not concrete. And I was no Sensei.

I smiled wide through my labored breathing. No, I was Victor Standish. I pulled up tall despite the pain in my chest. What had Pere Antoine said?

It was time for me to live the cost to “free” running. And to die it as well.
Pere Antoine was right.

Even the harsh Sensei had taught me that Parkour was more than leaping and dodging. It was a way of life. What was its motto?

être et durer ("to be and to last").

George Hebert had changed that motto while rescuing 700 terrified people during the eruption of Mt. Pele : "être fort pour être utile"

("be strong to be useful".)

I looked at the happily crying raptors charging me as they saw I was standing still, apparently trapped. How many terrified street people would these predators eat alive after tonight?

I sucked in a ragged breath. None.

The pain in my chest was worse, stabbing down my left arm. My nose was bleeding more. I couldn’t see clear. Yet, in a way I saw it all crystal clear.

Maybe I wasn’t Captain Sam’s real son, but I could go out as if I were in my death.

The Soyoko had proven that where I would go, they would follow. I smiled like I figured Captain Sam would in this situation.

“Hey, bitches!,” I panted. “Got the balls to follow me?”

I bent slightly at the knees as I faced them and flipped high into the air in a backwards double somersault right off the building.

And oddest thing, I heard the beginning of NIGHTWISH’s “Come Cover Me” in my head. The wind tickled my ears. Man, this was going to hurt so bad!

***

Thursday, February 23, 2012

HOW TO GET TO A GREAT STORY_USE A CAR!

Do you need a good story? Of course you do. All authors do.

Well, get a car ...

C ..... conflict

A ..... action

R ..... resolution.

Duh! Right. All novels need those three ingredients.

1.) But sometimes the simple principles are the most profound. And C.A.R. is one of those.

You see, it's just not your novel as a whole that needs Conflict, Action, and Resolution. Each of your chapters needs them as well.

And to carry the locomotion analogy a bit further, each novel must end with a hook, leading the reader anxiously to the next.

Think the teeth in the sprocket wheel of a bicycle : each tooth must seamlessly fit into the next link in the bicycle chain to propel the bike forward. So, too, much each chapter in your novel do the same.

Example :


In the chapter, BLACK MIRROR, SURE DEATH, in the Victor Standish novel, UNDER A VOODOO MOON :

Victor, his ghoul friend, Alice, and the ghost of President John Adams have escaped the ice palace of the revenant Empress Theodora. They did so by entering her cursed Black Mirror which led them to an endless, lifeless cemetery world ... one with seemingly no exit.

Just as they discover that, Alice's stomach starts to growl and her voice becomes the gravel it does only when she is ravenous. And Victor is the only human flesh in that dimension. End of chapter. Makes you want to jump to the next one, doesn't it?

2.) Your novel is much like a onion, too.

Each layer of your novel must bring tears and spice to your reader's mind.

Conflict. Action. Resolution. All three must be contained, as much as you can arrange it, on each page. Impossible?

It better not be ... because one page is sometimes all you are going to have to entice your prospective reader in a bookstore.

3.) You must think of your novel as a microscope :

The throbbing life of conflict, action, and resolution must resonate in each sentence as much as you can craft it to be ... especially the first sentence of your novel and each following chapter.

{Hurricane Katrina lashed the French Quarter as the sobbing mother sat on the curb, cradling her dying baby.

In that one sentence, you have painted locale, time, conflict, action, and a hope within the reader for a rescuing resolution.} All in the first sentence.

{General Eisenhower walked angrily to the prison cell of Adolp Hitler.

In that one short sentence, you have painted locale, time, genre (alternate history obviously) with conflict, action, and a question of what kind of resolution could there be to this scenario.}

4.) Your first sentence is all the introduction to your agent you're probably going to get.

Conflict, action, and resolution must resonate like a tuning fork in that one important paragraph.
5.) C.A.R. not only lets you know what to include but ...

what to exclude : everything that does not pertain to the conflict, the action, and the resolution in each paragraph, page, chapter, and final whole of the novel.

No matter how beautiful the prose or how insightful the character study, if it does not propel the story forward using C.A.R. --

then it has to go. Ouch.

Have a great Thursday, Roland
***


Sunday, February 5, 2012

INDIE AUTHOR TAG_DAY 2!











http://tgunwriter.blogspot.com/

Francine Howarth has a great idea :

This blogfest is just a simple fun game of playing tag on Amazon to up your profile and that of your book's.

First off: how tagging works

a) be prepared to tag all those who join the tag-party = fair play
b) basically follow tag-players’ links to Amazon
c) scroll to tag and add appropriate tags

DAY TWO for me is :
UNDER A VOODOO MOON {100% OF THIS BOOK'S ROYALTIES ALSO GO TO THE SALVATION ARMY.}

http://www.amazon.com/LEGEND-VICTOR-STANDISH-VOODOO-ebook/dp/B0064CKPJ4/ref=sr_1_2?ie=UTF8&qid=1328321661&sr=8-2

Oh, 4 more reviews for THE LEGEND OF VICTOR STANDISH, AND I DRAW FROM THE 15 REVIEWERS FOR A CHARLES SCHULTZ OR CLINT EASTWOOD AUTOGRAPH!


LET'S SUPPORT OUR FELLOW INDIE AUTHORS!! LET'S DO SOME TAGGING!
***
BONUS from UNDER A VOODOO MOON

{Victor is running for his life through the French Quarter at midnight. Evolved raptors, who prey on street people, are hot on his heels. He has diverted their attention from Alice to him.

"The color of love is blood," Alice once told him. Now, he understands} --

WITH HELL AT MY HEELS -

My running legs turned to lead, my chest peppered with hot needles, I looked about. I was lost.

Was this Orleans Street? That tree ahead of me. I charged it. I felt the hot breath of the raptor on my neck.

I wall ran up the tree, spinning up and over behind the lunging raptor. I landed easy, kicking it in the butt to slam its head hard into the trunk.

Movement to my right.

Jean Lafitte and his brother, Pierre. They might have been ghosts, but their swords looked sharp.

“Run, Little Man, run! Pierre and I have told these brutes : Pirate Alley is ours!”

Raptors screamed as they were run through. I smiled wide. Sometimes it helped to have friends in ghoulish places.

Or not.

A knife slashed towards my eyes. I ducked down, doing the Parkour roll right between legs in a frilly hoop skirt.

Delphine LaLaurie.

The French Quarter’s Jill the Ripper. Her knife bloody from the tortured bodies of her slaves, she looked at me with insane eyes.

“I worship blood and screams.”

I jerked my thumb over my shoulder to the sound of clawed feet on pavement. “Get ready for a religious experience!”

I raced down the dark street, at whose end was St. Louis Cathedral and the spotlighted courtyard statue of Jesus, casting long shadows of waiting arms for me.

To welcome me to death …

or to safety?

I laughed. What matter? I was Victor Standish, and the only sure thing was that I would never quit. Never.
***

Tuesday, November 22, 2011

LET'S HAVE SOME FUN!



YOU CAN WIN A KINDLE FIRE IN MY CONTEST!

The drawing for that will be held when my AMAZON SALES RANKING for THE LEGEND OF VICTOR STANDISH or UNDER A VOODOO MOON reaches #100.

But until then LET'S HAVE SOME FUN!!

When the number of positive reviews for either THE LEGEND OF VICTOR STANDISH or UNDER A VOODOO MOON reaches 16,


I will have a separate drawing for

THE CLINT EASTWOOD AUTOGRAPHED movie program (given only to the press) for

FLAGS OF OUR FATHERS!

Aren't those great odds? 1 out of 16 people will be sure to win the CLINT EASTWOOD AUTOGRAPH!

It gets better :

Through December, THE SALVATION ARMY gets 100% of the profits for both books!

So not only do you have a great chance to win a valuable autograph

BUT YOU ARE ALSO CONTRIBUTING TO A GREAT ORGANIZATION!

What do I get out of it?

This holiday season people will be giving thousands of the 3 affordable Kindles, including the Kindle Fire.

People will want content to read on their new devises.

The favorite authors will be gobbled up first. But at $14.99 each, 3 of those Kindle books will amount to $45!

They will be hungry for more. But at a more affordable cost. If they hear of me,

look up my Victor books and see 20 positive reviews each, they will think : "Hey, why not give Victor Standish a try?"

If they like his world, they may realize they could buy all four Sam McCord (who is Victor's mentor) books for under $10!!

***

Thursday, November 10, 2011

A NEW WAY TO WIN!!

Yes, there is a new way to win ...

An Amazon Kindle Fire! A JK ROWLING AUTOGRAPH! A STEPEHEN KING AUTOGRAPH!

SIGNED AVATAR POSTER! SIGNED BATMAN BEGINS POSTER! SIGNED DUSK TO DAWN POSTER!

AND DOZENS MORE PRIZES!

Buy and review THE LEGEND OF VICTOR STANDISH : UNDER A VOODOO MOON and get

FIVE ENTRIES!

The same AMAZON SALES RANKING drawings apply to UNDER A VOODOO MOON, too!

What is UNDER THE VOODOO MOON?

Darting through milling, dangerous marketplaces … India had KIM.

Escaping down sooty, tough alleyways … London had THE ARTFUL DODGER.

UNDER A VOODOO MOON …

the French Quarter now has VICTOR STANDISH and his Victorian ghoul friend, ALICE WENTWORTH.

Victor and Alice are back! And everyone wants them … dead!

Evolved raptors race after them across French Quarter rooftops.

The Empress of Vampires ensnares them in her escape-proof fortress.

The Demigod of Eternal Night casts them back in time.

Will their love and courage be enough to carry them through?

Victor laughs, “Watch us!”

And now the first 2 paragraphs :

I don’t want to say being twelve sucked, but I lost count of how often people tried to kill me that year.

I remember the last time.

My Twelfth year was a bit like Twelfth Night, the eve that church-goers call the Eve of the Epiphany … a fancy adult word that describes what the donkey felt when the two-by-four smacked him.

C'mon, join Victor & Alice in their adventures. You won't regret it!

Friday, November 4, 2011

DANCING WITH THE STARS ... at MEILORI'S

DANCING WITH THE STARS …

At MEILORI’S! {New Weekly Feature}

(From UNDER A VOODOO MOON) :


In his room at Meilori’s, Victor Standish has been told that three dooms are descending upon New Orleans. His friends are shaken. Victor decides if he is to die, he’ll do it with style …



Sfumato with this! I had to change the mood to this party. The tune had changed down below. I recognized the artist. Jim Stubblefield. He was playing the gypsy tune, “La Selva Negra.”

It was just starting up with all the sound effects and everything.

I twirled Alice around with a flourish. “If it’s the end of the world, then let’s go out doing a danse macabre!”

Alice sputtered, “A what?”

“Well, a salsa actually.”

She slapped her sides with her arms. “I cannot do any of these modern dances, you dunce!”

“Sure you can.”

“I cannot!”

“Since you merged with me in your mist form, some of me rubbed off on you.”

She pressed her lips together like a fired-up librarian. “I suddenly feel like taking a bath in Listerine.”

I laughed, “After the dance. I lived for awhile in the back of a dance studio. I learned enough to make a few dollars teaching dance steps. So your body knows those steps, too.”

Margaret rolled her eyes. “What a scamp of a life you would have us believe you led. Is there anything you didn’t do? ”

I smiled wide. “I never made my bed. ‘Course I didn’t have one! But that’s just silly details.”

I grabbed a startled Sam. “C’mon! You, too.”

“Whoa, son! Who do you think I’ll dance with?”

I winked at Ada Byron. “You get the honor of dancing with Lady Lovelace.”

Margaret Fuller glowered at me. “And just who would you suggest I dance with, Marshal Hickok?”

“Great idea!, I laughed. “Glad you came up with it!”

She snarled through clenched teeth, “You street rat, I didn’t come up with it!”

“Sure you did,” giggled Alice. “Oh, do dance with the poor lovesick Marshal. He took that wound for you. The very least ….”

Ada chuckled at the outrage and cornered look in her lover’s eyes. “Oh, do that little for the poor man.”

Margaret gave me a look that I actually felt. “I will remember this, Standish.”

Magda had a faraway look to her violet eyes. “It has been too long since Renny and I danced. Yes! I shall tell him now!”

And POOF! She was gone. I shook my head. Last month all this would have struck me strange. Ah … it still did actually.

I hurried Sam and Alice down the hallway before Jim Stubblefield finished his tune. Ada bubbled in laughter beside a glowering Margaret. We reached the head of the stairs in no time at all. A beaming Magda and a ruffled Renfield stood waiting for us. I guess the Padre didn’t care for teleporting at the drop of a collection plate.

He glared at me. “I take it this is your hair-brained idea?”

I nodded. “Yup. There are folks down there who want me dead. I plan to dance on my grave right in front of their eyes.”

I winked at Alice. “And make them jealous over my dance partner.”

Renfield shook his head and laughed, “You and your stunts, Victor. Sure, but you’re going to be making another tale to add to the collection told of you.”

“So as long as they get my dance partner’s name right I don’t care.”


CHAPTER THIRTY
STRANGE, I’VE SEEN YOUR FACE BEFORE.


I stood at the top of the velvet staircase, looked down, and smiled. Jim Stubblefield was still playing “La Salva Negra.” He and his band were really putting their heart and soul into it … plus an avalanche of sound effects. I smiled wide. Whoever those other Two Fates were, me and Alice were going to show them some steps.

Sam looked over to me and winked, “Race you to the bottom!”

Ada gave a surprised but delighted squeal as Sam swept her up into his arms and blurred down the stairs. I’m not being poetic. He and Ada actually blurred Sam was moving so fast.

“Oh, Captain,” gasped Ada. “You are quite taking my breath away. And I thought never to say that to a man again!”

Alice smiled mean. “Oh, so it is to be that way, is it?”

I yelped (in a manly fashion, of course) as she picked me up like I was balsa wood. I kept forgetting how much stronger than me she was. The lower half of her did some blurring of its own as she became mist and flowed so quickly down the stairs the world became all foggy.

It was a tie as she and Sam made it to the dance floor at the same time. Sam was grinning from ear to ear. That soft-hearted wolf. He let her catch up to him on purpose. I smiled wide myself. I had never seen him so happy.

Magda was suddenly beside me with a re-ruffled Renfield. “It is you, you scamp. You and your gh….”

I saw Alice begin to stiffen in preparation for the insult. Renfield raised an eyebrow. Magda sucked in a deep breath and finished ….

“… your Gothic love.”

She spun Renfield in an intricate Salsa twirl. “And for the record, scamp, I can teleport. I let you and Sam win.”

Alice looked at Magda’s dancing body and paled. Her voice became like that of a little girl’s. "I cannot move like that!"

I laughed, slowly swaying up to her, lightly pressing my lower body against hers. "Of course, you can."

“I can eat the lips from your face if you do that move again.”

She suddenly giggled, “Oh, do look at poor Margaret’s face.”

I turned to the beat of the music. Margaret looked like she was swallowing a whole can of sardines. She approached the table of the glum Hickok, wrenching the surprised Marshal to his feet.

“This is never to be spoken of again, Hickok. Understand me?”

“N-No. But I surely am not gonna argue with you, pretty lady.”

Margaret looked at him with a Medusa glare. “You do know how to Salsa do you not?”

“No, ma’am. But I am the best faker you will ever meet.”

Margaret snorted, “Of that I have no doubt. And watch those hands!”

Alice giggled at the sight of them and the exchange of words like crossed sabers. She was so caught up in her amusement she wasn’t realizing how expertly she was doing the Salsa.

Son of a ....

Sam glanced hard my way. Son of a gun. My guess had been right. I felt just like Elu. At the thought of him, I looked at the closest mirror. He was glaring at the front door to Meilori’s. Uh, oh. Trouble was coming.

Alice caught my look so I caught her up in fancy stagger step of my own before the smile left those pretty lips. Her eyes widened, but she giggled as her feet moved with a life of their own to match me step for step.

Stubblefield started to strum a wild gypsy riff as I smiled, "The Salsa is several dances melted into one. The guaracha --"

I gyrated my hips in a way that made Alice’s neon blue eyes get even wider. "The Cuban Bolero ---"

I swirled around her, tapping my, ah, bottom against hers. "And the rural Rumba, which is really a dance of exhibition, not of participation."

Alice stopped dancing to glower, "I do not know, Mr. Standish, your gludius maximus seems to be participating with mine just fine. Too fine!”

I quickly swept her up beside a similarly dancing Renfield and a glowing Magda. I swirled Alice out, then swept her back into my arms. For the first ever, her face was flushed. I smiled wider.

"The steps are quite simple, Alice. Here, see? The rhythm is set in counts of four of equal time. Look, the basic footwork is even more simple. Three steps taken on the first three beats of a measure, with a hold ---"

"A what?," she frowned.

I moved in, kissing her lightly.

She nipped at my lips half-heartedly as I pulled away. "A hold, silly rabbit. No step on the fourth beat."

"Oh, certainly. I knew that."

I raised a skeptical eyebrow, sweeping her closer. She laughed throaty, moving her hips in a way that made me want Captain Sam to turn away.

"Of course, you did," I said out of a throat grown suddenly thick.

Her eyes grew heavy somehow, as her hips began to sway hypnotically. Alice moved closer and closer to me. She reached out to my hips, grabbed them, starting to move them in time to her own.

There was something else about Alice I kept forgetting. She was a woman in a teen’s body. And I had just awakened that woman. I might just have outsmarted myself this time. Mother kept saying there was one thing I didn’t know : enough.

"Let me help," she breathed. "That is right. Move, flow with the music."

"Wh-What music?"

"Can you not feel the pounding of the blood in your ears? Listen. Listen as I rub my hips against yours. Now? Can you not hear the music I am hearing?"

That was the trouble. I could. I could also see Magda’s and Captain Sam’s outraged eyes. And worse, the music was gone. I couldn’t hear the guitars anymore.

Stubblefield was gone. Grace Jones was in his place. Meilori’s was like that. The stages would become misty, exchanging one artist for another. I never got used to it.

Grace was singing, “Strange, I’ve Seen Your Face Before” to the tune of Libertango. Alice and I flowed to the new melody, the new steps, as if we were one. Two new dancers were beside us. I went cold. Ghosts. They were ghosts. And not just any ghosts.

Captain Jean Lafitte and the little step daughter of New Orleans’ Jill the Ripper, Madame Delphine LaLaurie.

They said as one, “She is coming.”

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