THE DEADLY CROSSROADS_THE MIDDLE

{This weekend I was moving both days. Still lots to do. But I couldn't forget my friends.}

I'VE MADE IT TO ABNA QUARTERFINALS!

Congrats to Hart Johnson and Theresa Milstein!!



I've talked about the ending ...

about how the beginning is shaped by it.

Now, what Hostess bakeries already knows:

It's the middle that makes the product.

You like that creamy filling? Me, too. It's what brings me back. The icing entices me. The devil's food cake is the taste pleaser at the end. But it's the filling that makes the cupcake.

The title and the hook of a first sentence will snare the reader. But it is what lies between the beginning and the stunning end that will keep him turning the pages until he reaches that finely honed climax.

Have you heard a good joke told badly?

Sure. We all have.

Have you ever had an agent or her intern write that your tale did not hold together? Now, what the heck does that mean?

It means you told a good joke slightly off focus.

Eric Trant once wrote me something profound. You don't just slap some wood together and hope you get a table. You start with the proper measurements and a firm idea as to what kind of table you want to build.

Have you been told your tale doesn't hold together?

1.) Perhaps the pieces don't fit properly.

When you build a table, you use wood that has already been planed and sanded smooth :

Try smoothing each page you write as you write it. Look at it closely as you finish and edit it to the best of your ability at the moment. Start with the next page. Edit it.

At the end of the chapter, print that rascal out. You will discover flaws and rough spots you never saw on the computer screeen.

Trust me. It works. I got the idea from that rookie, Dean, ah what was his last name. Oh, yes. Dean Kootnz.

2.) The end in sight is great, but listen to the characters.

Aim for the ending you planned. But if the characters twist in your hand and suggest a great new ending. Listen. It is your unconscious mind speaking.

The new ending will prove to be fresher and more novel than what you originally started out with. And since it is more in keeping with the evolved characters in your book, your tale will feel more together, less patched together.

3.) Write hungry.

Always write, knowing you could do better. Aim higher. Try harder. Settle for nothing but your best. Try to make yourself laugh, cry, be surprised at the twists the characters' evolving personalities take you.

4.) Write true.

Listen to your heart. If the beautiful sentence you just wrote rings false for the story, for the character, for the ending, edit it out. Save it for another novel. Or don't.

Never call attention to yourself : isn't this a grand piece of prose. Always ask how can I draw the reader into the story to LIVE it not read it. Hear the characters talk in your head.

You'll pull back occasionally and say, "Hey that doesn't sound like Jane. That sounds like me. Or it sounds like Eden."

If a character says something in your head that puzzles you, go with it. Keep writing. Wait until the end of the chapter before going back and re-reading the whole thing. Your unconscious is handing you a great surprise for your readers. If you don't immediately know what it means, neithr will your reader.

Don't waste or throw away that gift.

Follow these points and your novel's middle will be more than creamy filling. It will be the meat and potatoes of your tale.
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