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Friday, November 8, 2013

OBSCENITY or F---K YOU SAY!


Obscenities.

What are we to do with them as writers?

Pretend they don't exist?

Scatter them willy-nilly throughout our novel?

F--- has become the duct tape of modern speech.

Without it some rap singers would be neutered.

Look at some of the books out there. I have.

Where is the heart, the soul, the marrow in the bones?

Oddly enough, those things are often found in the profanity of said novel,

in how that profanity is used, and in who uses it when.

Profanity is much like spice in a meal. Too much blunts the taste of the meal ... or the novel.

Yet, take out the "real" in a novel, and you neuter Chekhov into the artificiality of Mansfield.

Better to drink water than near-beer.

Profanity lends a realism to novels.

Not that without it, novels cannot have the sense of the real.

In Dostoevsky, there is such a burning truth in the prose that it changes you even as you read it.

THE HITCH HIKER'S GUIDE TO PROFANITY :


A.) KNOW WHERE TO LOB THE GRENADE:

Never in the structure of the novel. Only in dialogue. And then only when unavoidable.

Even in first person? Yes. It's strange I know. But it is a rule like gravity.

Of course there are exceptions. According to the strict rules of aerodynamics, a bumble bee ought not to be able to fly.

It doesn't know any better, and so it zips along quite merrily on its buzzing, pollinating way.

Trust your instinct on first person narration and profanity.

B.) MOST SLANG HAS A SHORT SHELF LIFE:

It takes three years at the fastest
for your print book to be published. Don't use slang that may well go stale in that time.

Don't be worried about being timely:

use nice Anglo-Saxon words
that have stood the test of a thousand years.
You won't be sorry that you played it safe with swearing.

C.) YOU'RE NOT GEORGE CARLIN:


He wrote for shock ... and for reflection on why we are who we are and why we say what we do.

Don't be the little boy writing gross words on the wall to be smart.

One, you're not very smart if that is why you are doing it.

Two, even if you succeed, you have jarred your reader out of the flow of your story.

D.) THE PILOT ONLY EJECTS
WHEN HE IS ABOUT TO CRASH:

Remember:
the jet pilot only ejects from the cockpit when he is about to crash.

So don't crash your novel unless you're ending it.

Using profanity for shock value blunts very quickly.

Never use a swear word without first seeing if you can't replace it with another word.

Never make the waters choppy if you don't have to.

Then, there is the strange fact that some very common words bring us up short when we see them on the printed page.

Take "fart" for example. It just comes out oddly.

How often have you seen it in a novel you've recently read? Not often I bet.

Then, again ...

E.) QUEEN VICTORIA IS DEAD,
AND I DON'T FEEL SO WELL MYSELF:

Put fornicate, copulate, co-habit, or consummate in the mouth of anyone in your novel but a priest or nun,

and you will make your entire novel as plastic and false as a Barbie sitting next to a Ken.

F.) DON'T PUT A BLU-RAY INTO YOUR DVD PLAYER:

Each person in your novel should have his or her own style or voice.

Not everyone curses.

And not everyone curses in the same way or at the same rate.

My character, Sam McCord, uses profanity very little.

I explain it in the course of my novel.
Elu, his blood brother, uses none
and there is a valid reason
for that given in the course of events.

The street people of the French Quarter are another matter.

Victor Standish, the 14 year street gypsy, has a colorful vocabulary
which he tries to prune
for the sake of his mentor, Samuel McCord.

F.) FOR WHOM THE BELL TOLLS
AND THE CASH REGISTER RINGS:

Fact of life #1:
Publishing is a business.
A shaky business at the moment.
No publisher wants to chase away customers.

Fact of life #2:
Profanity upsets some people.
So how to write about rough people without using their profanity? Hemingway did this in FOR WHOM THE BELL TOLLS:

“The man, Agustin, spoke so obscenely, coupling an obscenity to every noun as an adjective, using the same obscenity as a verb,

that Robert Jordan wondered if he could speak a straight sentence” ( Chapter 3).

This tells the reader that, yes, these people are rough and foul-mouthed; so, just take that as a given

and move on with the story.
Since that novel has never gone out of print, most readers must be comfortable with that.

G.) MARK TWAIN WAS RIGHT:


"Under certain circumstances, urgent circumstances,
desperate circumstances,
profanity provides a relief denied even to prayer."

"The idea that no gentleman ever swears is all wrong.
He can swear and still be a gentleman
if he does it
in a nice and benevolent and affectionate way."

"There ought to be a room in every house to swear in.
It's dangerous
 to have to repress an emotion like that."

In other words, when there is no other word which means exactly the same thing and gives the same effect, use the profanity.

H.) A LAST WORD FROM HEMINGWAY:


In a letter to his publisher and mentor, Maxwell Perkins,
Hemingway ended the letter about profanity with ...
 
"F-ck the whole business.
That's legal, isn't it?"
***

THE RIVAL Is at #32
In Amazon's Top 100 "New Orleans Horror"
While Anne Rice's THE WITCHING HOUR is at #34!

10 comments:

  1. 'For Whom the Bell Tolls' is sitting on my shelf, but it's lower on the TBR.

    Profanity has to be taken in context, as you've pointed out. It's not something that I spend a lot of time thinking about.

    One instance I can think of where profanity might be justified was in that movie, A Man Called Horse (didn't they thread a sharp bone through his chest skin and then suspend him from it? I think he was supposed to be stoic and suffer in silence.

    Congrats on the good stats.

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  2. D.G.:
    It has been awhile since I read FOR WHOM THE BELL TOLLS. But I remember enjoying it.

    I try to avoid most profanity, but sometimes "Oh, shoot!" just doesn't cover it as you said when the Lakota Sioux did the suspension ceremony on Richard Harris!!!

    Thanks. It's odd about those stats since THE RIVAL hasn't sold one copy this whole month. Strange isn't it?

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  3. Watching that suspension was not enjoyable.

    I think they (the Overlords) know we like looking at our stats - so it's probably mostly true.

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  4. I don't use profanity and so I always cringe when I read it; it always takes me out of the story.

    I don't use profanity in any of my novels. I want my readers to know that they can read it without cringing, sort of like part of my brand.

    I feel the way one blogger said--I think it was Alex J Cavenaugh--that 'I've never finished reading a book I've enjoyed without profanity and thought, "Gosh, that would have be so much better with a few cuss words!"'

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  5. Roland, If I can't write without using the F word, then I am not a writer! My English teacher always said, "People who use profanity are lacking in vocabulary. My vocabulary is extensive, and I have no need for the use of profane words to express myself. When reading stuff that uses such words, I tend to skip over them or if it is too profuse a littering of them, I just don't read it. Thanks for your ears (and eyes) Love, Ruby

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  6. D.G.:
    The Lakota lived a harsh life so their ways were often harsh, though they had their own strong code of honor, generosity, and compassion. I hope the stats mean something good. Who knows? Oh, yes ... the Overlords do! :-)

    J.B.:
    Like you I find profanity jars me in a book -- perhaps because the words form in my head as I read, while a film's profanity is easier to bear -- though if strong profanity is constantly used throughout, the film's enjoyment is minimized. I took out a DVD after the first few minutes due to the unexpected string of profanities every other word.

    The quote is a good one. The dialogue can be situation-appropriate without profanity.

    Grammy:
    I totally agree. In my Victor Standish novels his mentors tell him he must prune his language of profanity, for it limits his vocabulary and what does that hobbles his mind, and his mind is all that he has to fend off the darkness around him.

    He prunes his speech -- one, the Apache shaman painfully twists his nose whenever he doesn't and more important, two - his love is from the Victorian age and frowns sharply when his language veers into from PG-13 into R! The heart will lead a young teen every time!!

    I've missed your comments!

    R. Mac:
    The heck you say! :-)

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  7. When I write for adults, I tend to write with profanity. I never found swears to be particularly jarring. It's just how people talk sometimes, out of surprise or anger or pain or to be shocking. Not including it would feel unnatural to me.

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  8. I agree. You have to be very careful where your swear words go.

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  9. J E:
    We have to write as people would be expected to speak if we wish them to appear real -- you're right. But there are certain harsh swear words that I would rather not have in my mind continually.

    Ice Girl:
    Yes. Think spice. :-)

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