Posts
A few days ago, I wrote how to get a good story ...
C ..... Conflict
A ..... Action
R ..... Resolution
Last Thursday, I wrote how you got a GREAT story ...
G ..... Goal
A ..... Adversay
S ..... Sex
Today, I let you in on what you need to write a winning query ...
M ..... Mission
A ..... Answers
P ..... Passion
I. First, a broad view of M.A.P. :
A.) A MAP is a visual medium ... like fiction and a query themselves.
B.) To get anywhere using a map, it must be clear to the eye, to the mind.
C.) If the agent can't "see" your novel clearly from your query,
you're in trouble.
1.) If your prose is so muddled that your agent can't see it in her mind,
the odds are your novel's prose and plot are muddled as well.
2.) An unclear idea of your novel means the reject button from the agent.
D.) What does a Map do for you as you drive?
1.) Shows you where you are. (In the query, it gives the agent your MC's start.
2.) Shows you where you where you want to go. (In the query, it gives the novel's end.
3.) Indicates the best way to get to your destination. (In the query, it gives the agent a brief idea of how your MC gets from the start of the novel to the climax. It also lets the agent know you have a blueprint for your story.)
E.) A MAP gives broad strokes.
1.) Condenses. Miles become inches. Cities becomes dots.
2.) Few details -- no descriptions of the fluffy bunnies, or the angst of the teen MC, or the unsavory dietary habits of the adversary.
MISSION :
When you looked at the picture of the treasure map above, did you frown, going "what kind of language is that?"
EXACTLY!
If you write to a Frenchman, you use French. If you write a query to an agent, you must use agent-ese.
A.) We write the query backwards usually.
1.) We write what the textbooks say : a winning one page summary of the plot, putting down why we think the agent would be a good fit for our novel.
2.) WRONG!
B.) If you want to accomplish the mission of your query, you must be clear to what it is in the first place.
1.) What is your query's mission?
2.) TO GET THE AGENT TO ASK TO SEE MORE. Period. The End.
3.) How?
ANSWERS
A.) Again, we get this word backwards.
B.) We think of answers to how to write a GREAT query.
C.) WRONG!
D.) We have to ANSWER the AGENT'S QUESTIONS as she reads our query.
1.) Can I sell this story easily to any editors I know?
2.) Can the targeted editor sell this story easily to the PURCHASING DEPARTMENT of the publisher?
3.) Is there a mass audience for this story large enough that will convince the editor and the purchasing department that the returns will far outweigh the cost of this novel?
4.) Is this query so long it depresses my weary eyes?
*) How can we know the answers to those questions?
PASSION
A.) Passion, not of your characters, not even of yourself, but in the minds and hearts of prospective readers.
B.) Grace Potter and the Nocturnals
1.) I saw the TV ad for this movie as I walked across a hospital lobby today. Derivative and cliched. Generic beauty in mini-skirt. Generic Stud with flashing smile. Vampires who obligingly waited for the awkward leg sweep of heroine. Puh-lease.
2.) TV can get away with that because it's free. Books cost the reader hard cash money. Cliches are out. Hot, imaginative twists to popular themes are in.
C.) Imagine the book in your query is an audio book :
1.) Would your story, your MC and her obstacles be good company on a road trip?
2.) Would your story entertain or depress?
D.) Imagine reading this query to a hospitalized respected teacher or landlord or ill mother -- would they want to hear more?
E.) Look carefully at your brief query :
C ..... Conflict
A ..... Action
R ..... Resolution
Last Thursday, I wrote how you got a GREAT story ...
G ..... Goal
A ..... Adversay
S ..... Sex
Today, I let you in on what you need to write a winning query ...
M ..... Mission
A ..... Answers
P ..... Passion
I. First, a broad view of M.A.P. :
A.) A MAP is a visual medium ... like fiction and a query themselves.
B.) To get anywhere using a map, it must be clear to the eye, to the mind.
C.) If the agent can't "see" your novel clearly from your query,
you're in trouble.
1.) If your prose is so muddled that your agent can't see it in her mind,
the odds are your novel's prose and plot are muddled as well.
2.) An unclear idea of your novel means the reject button from the agent.
D.) What does a Map do for you as you drive?
1.) Shows you where you are. (In the query, it gives the agent your MC's start.
2.) Shows you where you where you want to go. (In the query, it gives the novel's end.
3.) Indicates the best way to get to your destination. (In the query, it gives the agent a brief idea of how your MC gets from the start of the novel to the climax. It also lets the agent know you have a blueprint for your story.)
E.) A MAP gives broad strokes.
1.) Condenses. Miles become inches. Cities becomes dots.
2.) Few details -- no descriptions of the fluffy bunnies, or the angst of the teen MC, or the unsavory dietary habits of the adversary.
MISSION :
When you looked at the picture of the treasure map above, did you frown, going "what kind of language is that?"
EXACTLY!
If you write to a Frenchman, you use French. If you write a query to an agent, you must use agent-ese.
A.) We write the query backwards usually.
1.) We write what the textbooks say : a winning one page summary of the plot, putting down why we think the agent would be a good fit for our novel.
2.) WRONG!
B.) If you want to accomplish the mission of your query, you must be clear to what it is in the first place.
1.) What is your query's mission?
2.) TO GET THE AGENT TO ASK TO SEE MORE. Period. The End.
3.) How?
ANSWERS
A.) Again, we get this word backwards.
B.) We think of answers to how to write a GREAT query.
C.) WRONG!
D.) We have to ANSWER the AGENT'S QUESTIONS as she reads our query.
1.) Can I sell this story easily to any editors I know?
2.) Can the targeted editor sell this story easily to the PURCHASING DEPARTMENT of the publisher?
3.) Is there a mass audience for this story large enough that will convince the editor and the purchasing department that the returns will far outweigh the cost of this novel?
4.) Is this query so long it depresses my weary eyes?
*) How can we know the answers to those questions?
PASSION
A.) Passion, not of your characters, not even of yourself, but in the minds and hearts of prospective readers.
B.) Grace Potter and the Nocturnals
1.) I saw the TV ad for this movie as I walked across a hospital lobby today. Derivative and cliched. Generic beauty in mini-skirt. Generic Stud with flashing smile. Vampires who obligingly waited for the awkward leg sweep of heroine. Puh-lease.
2.) TV can get away with that because it's free. Books cost the reader hard cash money. Cliches are out. Hot, imaginative twists to popular themes are in.
C.) Imagine the book in your query is an audio book :
1.) Would your story, your MC and her obstacles be good company on a road trip?
2.) Would your story entertain or depress?
D.) Imagine reading this query to a hospitalized respected teacher or landlord or ill mother -- would they want to hear more?
E.) Look carefully at your brief query :
1.) Would your story make a stranger want to root for your heroine?
2.) Does your story and its outcome seem real or cardboard?
F.) It's hard to become passionate for a cause
1.) Donna wrote yesterday that her novel had no real adversary or antagonist.
2.) There always is one : inside the MC
Think RETURN OF THE JEDI :
A.) It wasn't Darth Vader or even the Emperor who were Luke's adversaries.
B.) Luke's enemy was his temptation to give in to anger, to abuse his skills.
In JOHN CARTER :
A.) He is a man who has lost his way due to the Civil War long before he becomes lost on Mars.
B.) His healing comes from the love he discovers upon an alien planet.
I hope this has helped in some small way to help you craft a stronger query, Roland
***
