FREE KINDLE FOR PC

FREE KINDLE FOR PC
So you can read my books
Showing posts with label JODI HENRY. Show all posts
Showing posts with label JODI HENRY. Show all posts

Thursday, July 19, 2012

SEX HELPS

"Sex without love is a meaningless experience,

but as far as meaningless experiences go, it's pretty damn good."

- Woody Allen

Sex does help. Just not the way we would think in our novels.
Jodi Henry once wrote an excellent post ( http://jodilhenry.blogspot.com/ )

on the subject she thought I was going to discuss : sex in literature.

A squrim-worthy topic she calls it. It is that and more because :

Sex sells.

You roll your eyes and go, "Duh!"

I mean, just look at the skyrocket sales of 50 SHADES OF GRAY and its two sequels!

Yes, sex sells ...

but not always for the reasons you might think.

Men, of course, are hard-wired to see a beautiful woman and have their hormones go into a conga line ( http://en.wikipedia.org/wiki/Conga_line )

But we men are more complex than the cliches written in COSMOPILITAN.

Sex. Lust. Love.

The first two are primal instincts. The third gives birth to legend and magic.

Every writer is in much of his work. But it is not as straight-forward as that.

J.R.R. Toilken rarely, if ever, wrote love scenes. Instead, he wrote distantly of Love, the concept with which Tennyson teased but never consummated in THE IDYLLS OF THE KING.

He was a shy man, and it shows in what he chose NOT to write.

He reflected his times -- as we must reflect ours in what we write and for whom we write.

But for whom do we write? And what exactly are "our" times?

We live in a lonely age. From teenager on up, we feel outside, misunderstood, and alone -- the three labor pains that give birth to the possibility of love.

A reader is drawn to a novel by what is lacking in her/his life.

We've already touched on some of the things most people feel lacking in their lives. It can be summed up in one word : intimacy --

Sex is only the tip of that iceberg floating in the existential void of our modern times. There is much more beneath the murky surface.

How many of us feels valued, loved for who we truly are - bulges, skin blemishes, and other imperfections not withstanding?

Not many.

How many of us have such passion and fire in the night that we tingle in the morning light?

Even fewer.

Many of us settle for half-relationships, tepid gropings in the dark that leave us feeling empty, not full, the morning after.

Why is that?

In the process of love-making, we leave a bit of ourselves with the other. If we make love without feeling love, the other fails to leave a bit of themselves within us.

Inside we have become less ... not more. Do that enough times and a void is carved within us.

That is why we have become the Hollow People, seeking to fill that emptiness within with all the wrong things :

Sex without satisfaction.

Passion without permanence.

Lust wearing the mask of love.

Think of the words of John Masefield :

I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a grey mist on the sea's face and a grey dawn breaking.

I must go down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick's over.

Why did I quote Masefield's poem?

We all long for that handsome, beautiful Other who will tenderly stroke our cheek,

fan the fires of our passions,

and fill our hearts and head with the laughter of two souls meant for each other.

Romance. Magic. Love.

Those are the stars a winning author steers by.

Fix them to your mast, and you will never go wrong.
***
DON'T FORGET! THE LEGEND OF VICTOR STANDISH'S POSTER, T-SHIRT, AND COFFEE MUG:

http://www.ebay.com/itm/290746456435?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

http://www.ebay.com/itm/290746458227?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

http://www.ebay.com/itm/290746459635?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

***


**

Sunday, November 6, 2011

SEX HELPS

"Sex without love is a meaningless experience,

but as far as meaningless experiences go, it's pretty damn good."

- Woody Allen

Sex does help. Just not the way we would think in our novels.
Jodi Henry once wrote an excellent post ( http://jodilhenry.blogspot.com/ )

on the subject she thought I was going to discuss : sex in literature.

A squrim-worthy topic she calls it. It is that and more because :

Sex sells.

You roll your eyes and go, "Duh!"

Yes, sex sells ...

but not always for the reasons you might think.

Men, of course, are hard-wired to see a beautiful woman and have their hormones go into a conga line ( http://en.wikipedia.org/wiki/Conga_line )

But we men are more complex than the cliches written in COSMOPILITAN.

Sex. Lust. Love.

The first two are primal instincts. The third gives birth to legend and magic.

Every writer is in much of his work. But it is not as straight-forward as that.

J.R.R. Toilken rarely, if ever, wrote love scenes. Instead, he wrote distantly of Love, the concept with which Tennyson teased but never consummated in THE IDYLLS OF THE KING.

He was a shy man, and it shows in what he chose NOT to write.

He reflected his times -- as we must reflect ours in what we write and for whom we write.

But for whom do we write? And what exactly are "our" times?

We live in a lonely age. From teenager on up, we feel outside, misunderstood, and alone -- the three labor pains that give birth to the possibility of love.

A reader is drawn to a novel by what is lacking in her/his life.

We've already touched on some of the things most people feel lacking in their lives. It can be summed up in one word : intimacy --

Sex is only the tip of that iceberg floating in the existential void of our modern times. There is much more beneath the murky surface.

How many of us feels valued, loved for who we truly are - bulges, skin blemishes, and other imperfections not withstanding?

Not many.

How many of us have such passion and fire in the night that we tingle in the morning light?

Even fewer.

Many of us settle for half-relationships, tepid gropings in the dark that leave us feeling empty, not full, the morning after.

Why is that?

In the process of love-making, we leave a bit of ourselves with the other. If we make love without feeling love, the other fails to leave a bit of themselves within us.

Inside we have become less ... not more. Do that enough times and a void is carved within us.

That is why we have become the Hollow People, seeking to fill that emptiness within with all the wrong things :

Sex without satisfaction.

Passion without permanence.

Lust wearing the mask of love.

Think of the words of John Masefield :

I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a grey mist on the sea's face and a grey dawn breaking.

I must go down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick's over.

Why did I quote Masefield's poem?

We all long for that handsome, beautiful Other who will tenderly stroke our cheek,

fan the fires of our passions,

and fill our hearts and head with the laughter of two souls meant for each other.

Romance. Magic. Love.

Those are the stars a winning author steers by.

Fix them to your mast, and you will never go wrong.
***

Tuesday, March 15, 2011

Part II of Jodi's Blog tour interview (Hibbs)_Plus Raymond Chandler's ghost brings you HART'S IDES OF MARCH entry

Hibbs, the cub with no clue, here.

I couldn't read Roland's Ides of March story. I started crying. Don't go if you get the sniffles like me.

His cat, Gypsy, liked it though.

Follow me to Miss Jodi's interview THEN to Denise's review of my adventures on the blog READING AT DAWN :
http://jodilhenry.blogspot.com/
http://readingatdawn.blogspot.com/2011/03/bear-with-two-shadows-by-roland-d.html


{"If two people love each other there can be no happy end to it."
— Ernest Hemingway.}

Raymond Chandler's ghost here. You might go to Hart's blogs for other tales in her blogfest :

http://waterytart23.blogspot.com/2011/02/spread-doom.html

Ever see a sniffling bear cub. Ever try to say no to it? Well, I couldn't say no. Call me a sap. Just not to my face.

This tale comes from when Roland died in the Shadowlands. I didn't take it well. He listens. He cares.

When I heard he died because of the ghost of Ernest Hemingway, hiding out in Roland's apartment ...

I didn't listen. I didn't care. I got even.

NO GRAVES IN THE SHADOWLANDS :

If you read GHOST OF A CHANCE, you know Roland was on the run in the Shadowlands, falsely accused of the murder of Hemingway’s ghost.

The same ghost who had been laughing up his sleeve in Roland’s apartment for a week, pontificating on how to write good literature.

Apparently, he forgot how to live a good life or be a good friend.

No, the truth was worse. He was too jealous of how the ghost of Marlene Dietrich felt about Roland.

Today, ironically, is Marlene's birthday.

Hemingway had been rubbing his hands in pure joy as the ghosts closed in for revenge and others in the darkness bayed at the kid’s heels,
seeking to tear the secret of how to kill ghosts from him.

Now, where is Hemingway? On his way to Hell if there's any justice. But there isn't.

Word in the Shadowlands is that he is just walking aimlessly into the darkness, his eyes deep holes into nothingness.

I only have the cold comfort that I knocked him on his arrogant ghost-butt. How did a Hollywood hack like me do that? Easy. I cheated.

I surprised him. I walked into Roland's apartment looking clean, neat, and sober, smiling my best "ain't we chums?" smile.

Then, I let him have it with the blackjack in my fist.

He went down hard. Not hard enough.

"Good news, boxer," I grunted. "Word in the Shadowlands is that Roland's dead. Died in the arms of Marlene."

His eyes fought to focus. "Is she --"

"Yeah, hero. She's dead, too. Killed by the one who poisoned you. I hope you're --"

I didn't get the chance to finish. The most godawful yowling came from the head of Roland's bed. Then, I saw her -

Gypsy, his cat, all covered in sand. I could have sworn she hadn't been there when I first came in.

Her head was reared back, her eyes full of tears. Hell, his cat was crying.

Crying.

And Gypsy howled like her guts were being cut out of her. I can hear it still. It seemed to go on forever.

I pray to God I never hear such a sound again. She stopped abruptly and looked at me with eyes gone sick and insane.

Then she just slowly faded away into the darkness like an old photograph left out too long in the sun. I shivered. And I knew. I knew.

I would never see his cat again.

I turned to Hemingway as he struggled to his feet, and I managed to get out the words. "Roland trusted you."

My grief and anger were battling so inside my heart, it felt as if I was standing outside myself.

"You hid in his apartment, knowing he was being blamed for your murder, knowing he was being hunted by things that would make a pit bull puke."

I realized I was literally shaking with my anger. "You could have stopped this. You should have."

He turned hollow eyes to me. "Right on both counts."

And with that he walked out through Roland's door. And I knew something else. I would never see him again either.

So here I am, sitting in the dark at Roland's laptop.

What do I write that would express just what the kid meant to me? It's all too fresh. I - I can't.

There are no graves in the Shadowlands.

No place where I can lay one black rose. To die there is to disappear utterly both body and spirit.

But I have to do something. Something.

I will sit out on Roland's terrace and look out as the night fog slips away from the bordering bayou.

The rains are over. The fields this far south are still green.

And with my ghost eyes I will look out over the vastness of America to the Hollywood Hills and see snow on the high mountains.

The fur stores will be advertising their annual sales. The call houses that specialize in sixteen year-old virgins will be doing a land-office business.

In Beverly Hills the jacaranda trees will be awakening to spring to bloom.

And none of that will matter ... for my friend is dead.

The French have a saying that to say good-bye is to die a little. They are right. I am a ghost, and I thought I was past feeling dead inside. I was wrong.

I think I will always see him driving down lonely roads, sitting in lonely rooms, saddened but never quite defeated.

Down those mean streets he went who was not himself mean, who was neither tarnished nor afraid ... only mortal.


Good-bye, Roland. I will miss you.

****

Monday, March 14, 2011

DON'T WORRY, MISS JODI, I'LL PROTECT YOU!_HIBBS, THE CUB WITH NO CLUE_first part of JODI HENRY's Interview

Hibbs, the cub with no clue, here.

Those small Indians from Australia followed me to Miss Jodi's ...

and they're carrying those strange crooked sticks, too.

Hey, guys, those sticks better be made of chocolate 'cause if you try to hurt Miss Jodi with them ... I'm gonna make you eat them!

Uh, huh. They say they just came to keep me safe through DreamTime.

"Thanks, guys. You stay safe on the way back, hear?"

Aw, no. Jodi's sleeping for the night. I guess the interview will be Monday morning. Sigh. I'll just curl up and sleep in her backyard.

Better keep one eye open though. You have to be careful with Indians, little or not, if you want to keep your scalp.

And when your scalp covers your whole body, I bet it hurts when they lift it!

I'll see you guys Monday here :

http://jodilhenry.blogspot.com/

Hibbs back again, snuggling in Miss Jodi's backyard. I asked Roland where we would be going next. Of course I knew we'd be here tomorrow. But he gave me this news at all the places my poor feet would be sore from heading to :

I will be at Nancy's Wednesday :

http://nrwilliams.blogspot.com/

Thursday, I will visit VR at her blog (a St. Patrick's Day treat) at :

http://vrbarkowski.blogspot.com/

Then, back to Nancy's blog again for Friday.

On Monday (the 21st) I will turn up at Donna Hole's blog :

http://donnahole.blogspot.com/

I asked Roland if that meant I'd have the weekend to soak my feet in Lake Charles.

He just chuckled and said, "Maybe. Unless someone wants to dare the weekend."

Sigh. I have a feeling my poor paws are never going to get a rest!

Oh, Denise just told me she's writing a review of my adventures for tomorrow at her joint blog READING AT DAWN:

http://readingatdawn.blogspot.com/
***

Friday, December 3, 2010

THE MUD OR THE STARS?

“Two men look out the same prison bars; one sees mud and the other stars.”
- Frederick Langbridge

There are epic events in each person's life. What we make of them determines what we make of our lives.

Jodi Henry

http://jodilhenry.blogspot.com/2010/12/award-and-great-list.html

has awarded me the "Versatile Blogger" where I have to reveal 7 things about myself.

Amanda Sablan and VR Barkowski awarded me and tagged me with similar awards. Ouch.

For one, I had to tell 10 things you don't know about me, and for the other, I had to answer 5 questions with 5 answers about myself.

I thought I would combine the three. Probably won't work. But hey, it could be fun. I think Custer said that same thing about that infamous stroll through some valley.

Question One : WHERE WAS I FIVE YEARS AGO?

Five years ago, Hurricane Rita was a category 5 hurricane. I spent the morning running rare blood to scrambling hospitals.

I drove back home to wolf down a hurried lunch. A mandatory evacuation was issued. I went downstairs.

Someone had siphoned the gas from my car. All the gas stations were shut down. I was stranded in the path of a killer hurricane. Alone.

Or not so alone.

Freddie, my supervisor, called checking in on me. He offered me a ride in his car as he drove beside his wife's car containing his two children.

So with the clothes on my back, my laptop on my lap, and Gypsy in a carrier, I rode with my friend into the darkness.

The highways were shut down. We drove the back roads, the cypress trees bending down over us in the blackness as if listening to our whispered voices. Freddie's eyes were hollow.

As we passed his wife's car, I saw she was frantic, on the verge of panic.

I winked at the pale faces of Freddie's two children, Allison and Abigail, pulled Gypsy out of the carrier, and picked up her front paw as if she were waving at the two girls. They giggled. And the grip of panic on their mother seemed to break.

She waved back and gave a valiant smile with a thumb's up salute.

Freddie studied me for a moment and said, "Dude, you're like Job."

"How so?"

"I mean you got your gas siphoned out of your car just when you needed it most."

"I bet a lot of people did."

"Yeah, but if Rita hits Lake Charles, this will be the second time you'll have lost everything.

You lost it all when your home burned. And before that you closed your business. Your mother died before that. And before that your fiancee died. And your childhood best friend died before Kathy. Damn, it's like you're Job."

I nodded, smiling sadly, "As I recall Job ended up pretty well."

"You've got a strange way at looking at life, dude."

"You're not the first to say that."

We made it to Baton Rouge where I worked delivering rare blood to all the hospitals reeling under the impact of Katrina. I drove to the hospital of Metairie, the first suburb of New Orleans. (It is a French term for a tenant farm.)

I saw people who had only thought they knew what having nothing meant. I smelled the stench of decaying human flesh on the breath of a too silent city. I saw young boys in uniform trying to be men under impossible conditions.

Late at night I typed the first draft of FRENCH QUARTER NOCTURNE, alone in the spacious suite afforded me by the blood center for which I worked. It had been leased for the board of directors to oversee the new center in Baton Rouge.

So for two months I slept in a prince's suite. Gypsy was, for once, satisfied with her accommodations, she being a princess and all.

I barely saw the suite. I was always driving it seemed -- down long, unfamiliar roads to strange hospitals protected by hollow-eyed young boys with automatic weapons and dry mouths.

Finally, the blood couriers were allowed back to our devastated city. It was like something from a post-apocalyptic movie. But these ruined streets and gutted homes I knew. Our city has never truly recovered. But my friends are a hardy bunch.

Me? I just fake it.

And there you have at least 7 things you didn't know about me. And I've answered only one of the five questions. Like Freddie says, I tend to talk a lot.

But he smiles good-naturedly when he says it.


Oh, and that time in Baton Rouge was the first time I saw my soon-to-be Viking friend, Eric.

And another thing about me : Each time I enter my apartment, Gypsy pads to me in greeting, and I say, "The Force is with you, young Gypsy, but you are not a jedi yet."

She seems unperturbed. And here are some scenes you will not believe from George Lucas' new creation, THE OLD REPUBLIC :


Tuesday, November 9, 2010

SEX SELLS


"Sex without love is a meaningless experience,

but as far as meaningless experiences go, it's pretty damn good."

- Woody Allen

Jodi Henry wrote an excellent post ( http://jodilhenry.blogspot.com/ )

on the subject she thought I was going to discuss yesterday : sex in literature.

A squrim-worthy topic she calls it. It is that and more because :

Sex sells.

You roll your eyes and go, "Duh!"

Yes, sex sells ...

but not always for the reasons you might think.

Men, of course, are hard-wired to see a beautiful woman and have their hormones go into a conga line ( http://en.wikipedia.org/wiki/Conga_line )

But we men are more complex than the cliches written in COSMOPILITAN.

Sex. Lust. Love.

The first two are primal instincts. The third gives birth to legend and magic.

Every writer is in much of his work. But it is not as straight-forward as that.

J.R.R. Toilken rarely, if ever, wrote love scenes. Instead, he wrote distantly of Love, the concept with which Tennyson teased but never consumated in THE IDYLLS OF THE KING.

He was a shy man, and it shows in what he chose NOT to write.

He reflected his times -- as we must reflect ours in what we write and for whom we write.

For whom do we write? And what exactly are "our" times?

We live in a lonely age. From teenager on up, we feel outside, misunderstood, and alone -- the three labor pains that give birth to the possibility of love.

A reader is drawn to a novel by what is lacking in her/his life.

We've already touched on some of the things most people feel lacking in their lives. It can be summed up in one word : intimacy --

sex is only the tip of that iceberg floating in the existential void of modern times. There is much more beneath the murky surface.

How many of us feels valued, loved for who we truly are - bulges, skin blemishes, and other imperfections not withstanding?

Not many.

How many of us have such passion and fire in the night that we tingle in the morning light?

Even fewer.

Many of us settle for half-relationships, tepid gropings in the darkness that leave us feeling empty, not full, the morning after.

Why is that?

In the process of love-making, we leave a bit of ourselves with the other. If we make love without feeling love, the other fails to leave a bit of themselves within us.

Inside we have become less ... not more. Do that enough times and a void is carved within us.

That is why we have become the Hollow People, seeking to fill that emptiness within with all the wrong things :

Sex without commitment.

Passion without permanence.

Lust wearing the mask of love.

Think of the words of John Masefield :

I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a grey mist on the sea's face and a grey dawn breaking.

I must go down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick's over.

Why did I quote Masefield's poem?

We all long for that handsome, beautiful Other who will tenderly stroke our cheek,

fan the fires of our passions,

and fill our hearts and head with the laughter of two souls meant for each other.

Romance. Magic. Love.

Those are the stars a winning author steers by.

Fix them to your mast, and you will never go wrong.
***