D is For? and MARK TWAIN HELPS WITH IWSG post

 

“In the depths of my heart I can’t help but be convinced that my dear fellow-men, with a few exceptions, are worthless.”
 - Sigmund Freud

Laughing as tears rolled down his cheeks, the ghost of Mark Twain sat down beside me again. 

 "It was as delightful as watching a train wreck listening to you as old Coke Head's eyes got bigger and bigger."

Freud said, "Would you stop calling me that!"

Stone-faced, he turned to me.  "We are at D, young sir."

Twain chuckled, 

"As in your book,  Interpretation of Dreams -- you know the one you considered your 'most significant work.'  

It produced little fanfare when it was published in 1899. Only 351 copies of “The Interpretation of Dreams” were sold in its first six years, 

and a second edition was not published until 1909."

Mark Twain took a deep drag on his cigar and blew the smoke in Freud's face.  "You know, that book?"

I knew that Twain felt Freud a fraud, for the man borrowed the "talking cure" from the physician named Josef Breuer 

who was treating a woman named Bertha Pappenheim for a number of ailments.

It was she who coined the term "talking cure" for the therapy she was receiving from Dr. Breuer.

Worse to Mark, Freud had taken the concept of "Free Association" from a writer of all people!

 "The Art of Becoming an Original Writer in Three Days" by Ludwig Börne.

In it, Börne suggested that a good way to generate ideas was 

to concentrate on various topics, and over the next three days write down anything that came to mind.

Freud had read the essay while a young student.  

But why was Mark being so contrary right now?

 The answer hit me, and I smiled, "Defense by Distraction."

He was defending me as I had defended him.

 Freud glowered at Twain.  "This exercise is for Roland's benefit."

Mark chuckled, "You wouldn't be so quick to say that if you had been on Roland's side of your eyes a minute ago!"

Ghost of Mark Twain here to spell the boy for IWSG:

https://www.insecurewriterssupportgroup.com/

 

"I haven’t any right to criticize books, and I don’t do it except when I hate them."
- Mark Twain

Ghost of Mark Twain here:

I try not to criticize that Stephanie Meyer gal to Roland, but her books madden me so that I cannot conceal my frenzy from him.

I have to stop every time I begin.

Every time I read any of those Twilight/Good Night books, I want to dig her up and beat her over the skull with her own shin-bone.

Then, I realize that gal ain't dead yet.  Maybe I can convince the ghost of Lovecraft to fix that for me, don't you know?

I just flat couldn't finish any of those DEAD books by that filly Charlaine Harris.  If she would listen, I would tell her that a successful book is not made of what is in it, but what is left out of it.


Not that any woman no how ever listened to me when I was talking sense.


That her books sell don't necessarily make them good.

The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail.

The trouble with most fiction of today is that you want them all to land in hell together, as quickly as possible.

I know you friends of Roland are more open to listening than those two fillies, so I have a few hints at how to write yourselves a good novel --

1.) Writing is easy. All you have to do is cross out the wrong words.

2.) And while we are on the topic of editing --  NEVER POLISH THE FIRST CHAPTER UNTIL THE LAST ONE IS WRITTEN.

3.) A novel is like a young'un -- it grows in ways you never planned.  Just type it out chapter by chapter, letting the growing pains take you where they will.

4.) A novel is like life -- things happen, new ideas suggest themselves, and intriguing possiblities arise.  Throw them into the soil of your novel, you will be surprised at what the harvest will be.

5.) A novel to be novel must be novel.  Don't have the dog wag his tail.  Have his tail wag him.

6.) A novel is a dog house --

     So is your house going to hold a small, a medium, a lagre dog -- or just for the husband when he is thrown out by his wife?

     The size of the "dog" will dictate how you go about structuring your "house" (novel).

7.) Plots are limited.  Characters are limitless.  So always begin with the characters.

     Your novel will shine, not by what you have going on in it, but by the breath you breathe into your characters.

8.) The characters you develop depend on who you are.  Hemingway was Hemingway.  Shakespeare was everybody else.

Remember:

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions:

1. What am I trying to say?
2. What words will express it?
3. What image or idiom will make it clearer?
4. Is this image fresh enough to have an effect?